A desperate, pregnant mother cat seeks shelter in a Parisian theater, just in time to provide a home for her kittens. There the ballerinas fall in love with the little feline fuzzballs, calling the mother Marmalade and her kittens Bijou, Bonbon, and Beau. When the stage manager threatens to throw the cats out, the dancers defend them utterly. All the while, an artist (Degas) quietly sketches what he sees. When opening night arrives, the kittens decide to participate, climbing the dancers’ stockings, chasing their toes, and even cavorting across Degas’s drawing board. The audience loves it, and the kittens become a mainstay of the ballet. The cotton-candy, tutu pastels of Wu’s palette create the mood of Degas’s work without copying it. Brief biographical information on the artist accompanies an elegant reproduction of his work, The Rehearsal on Stage, where readers are urged to hunt for alleged evidence of the kittens’ joyful rampage across the artist’s page. (Picture book. 5-10)
Pub Date: May 1, 1998
ISBN: 0-8118-1975-2
Page Count: 20
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A gleeful game for budding naturalists.
Artfully cropped animal portraits challenge viewers to guess which end they’re seeing.
In what will be a crowd-pleasing and inevitably raucous guessing game, a series of close-up stock photos invite children to call out one of the titular alternatives. A page turn reveals answers and basic facts about each creature backed up by more of the latter in a closing map and table. Some of the posers, like the tail of an okapi or the nose on a proboscis monkey, are easy enough to guess—but the moist nose on a star-nosed mole really does look like an anus, and the false “eyes” on the hind ends of a Cuyaba dwarf frog and a Promethea moth caterpillar will fool many. Better yet, Lavelle saves a kicker for the finale with a glimpse of a small parasitical pearlfish peeking out of a sea cucumber’s rear so that the answer is actually face and butt. “Animal identification can be tricky!” she concludes, noting that many of the features here function as defenses against attack: “In the animal world, sometimes your butt will save your face and your face just might save your butt!” (This book was reviewed digitally.)
A gleeful game for budding naturalists. (author’s note) (Informational picture book. 6-8)Pub Date: July 11, 2023
ISBN: 9781728271170
Page Count: 40
Publisher: Sourcebooks eXplore
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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