by Joanna Bourke ‧ RELEASE DATE: March 17, 2015
A thoughtful but sometimes overly academic consideration of why thousands of people are, or should be, marching in the...
A dense treatise on the evil that men do to one another in the name of war.
Although she is certainly an idealistic thinker, Bourke (History/Birkbeck Coll., Univ. of London; The Story of Pain, 2014, etc.) gets to some dark places. Her output has included scholarly examinations of murder, fear, rape and pain. Here, she turns her unflinching gaze on the militarization of society. The book was originally titled Wounding the World, which is in some ways more accurate since it is as much about the mindsets of victims as it is about those who fight. Bourke examines the nature of military violence through a variety of lenses, including economics, language, law, big business and the very nature of our humanity. After a clear introduction, she examines the language we use to describe warfare, and this may be one of the most complex sections for a general audience. “These four ways of talking about violence—aestheticizing it, converting it into an abstract formula, ignoring pertinent aspects and giving weapons agency—overlap….But converting violence against others into something attractive, abstract or absent makes it easier to bear,” writes the author. The next section examines the psychology of violence, both on the parts of the (mostly) men who perpetrate it, from the drone pilot in Nevada who feels “like God hurling thunderbolts from afar,” to those wounded inside and out. In a somewhat dated section, Bourke examines the “fetishization of authenticity” in games and other media, essentially positing portrayals of military violence as pornography; refreshingly, however, she rarely blames the creators, instead focusing on motive and audience. The most challenging section may be the summary, which posits that protests and other societal interventions could bring an end to war, a proposal some readers may find too modest to be realistic.
A thoughtful but sometimes overly academic consideration of why thousands of people are, or should be, marching in the streets.Pub Date: March 17, 2015
ISBN: 978-1-61902-463-2
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Dec. 12, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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