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CALL ME FLOY

Struggles to reach the summit.

A young girl dreams of climbing mountains but must defy expectations to do so.

Having grown up in Yosemite, 11-year-old Floy now feels stifled by the classroom walls and gray skies of San Francisco, where her family was forced to move some months earlier. But all that changes when family decisions lead her back to Yosemite. Once she arrives, Floy feels more alive than ever, determined to summit Half Dome. But society’s expectations for a “young lady” in 1876 threaten that goal. Floy must either convince her father to take her along on one of his expeditions or scale it alone. Based on the life of Florence Hutchings, the first European American born in Yosemite, the story offers encouragement on its surface for children to follow their dreams. However, the premise itself—a white girl bucking conventions—limits its readership. While Floy lives fully, setting lofty goals beyond her station, Native character Sally Ann exists to serve; unlike Floy’s, her life is defined by the time “before,” and her dreams are likewise tied to tradition. Other moments prove problematic as well. Although describing Yosemite as a “sublime land” and Floy as a “pilgrim” might reflect white sentiments of the time, without clear counterbalances it reinforces the mythic principle of Manifest Destiny. And when Floy realizes that a changing world means “there will no longer be a place” for Sally Ann and her family, unacknowledged white privilege allows her to dismiss the uncomfortable feelings she experiences and avoid confronting truth.

Struggles to reach the summit. (hiking tips, author’s note) (Historical fiction. 8-12)

Pub Date: May 12, 2020

ISBN: 978-1-930238-99-2

Page Count: 192

Publisher: Yosemite Conservancy

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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