When you invoke Hannibal Lecter this pointedly, you deserve to know: Francis Coben is no Hannibal Lecter.
Boston police detective Ellery Hathaway finally steels herself to confront the sociopath who abducted, tortured, and nearly murdered her as a teenager. The reunion doesn’t go as planned.
Kate Hunter, host of TV’s true-crime show On the Hunt, thinks a great way to mark the 20th anniversary of self-styled artist Francis Michael Coben’s conviction and imprisonment would be to interview him on camera, and she insists on inviting Ellery, who was snatched from his clutches years ago by FBI Agent Reed Markham, to the party as well. Ellery reacts to this coldhearted proposal first with denial, then with dread, but ultimately agrees for several reasons. In return for his hour on prime time, Coben’s agreed to give information about the fate of Tracy Trajan, one of his 16 victims who didn’t get rescued, who’s been missing since 1998—a revelation Ellery thinks could help Tracy’s parents achieve closure. In addition, she can’t help being interested in the chance to put Coben in his place by showing that now he’s the helpless one, not her. Mainly, though, she wants to help Reed get evidence that could connect the recent murder of Maxine Frazier, a sex worker killed by a copycat who shares Coben’s unhealthy fixation with severed hands, to Coben’s own crimes. Nothing all that terrible happens during the interview, but shortly after, an E. coli outbreak in the Indiana prison where Coben is serving time sends him to the hospital, and you can just guess what happens next.
When you invoke Hannibal Lecter this pointedly, you deserve to know: Francis Coben is no Hannibal Lecter.Pub Date: Jan. 25, 2022
ISBN: 978-1-2502-4967-8
Page Count: 320
Publisher: Minotaur
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
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