Kids will dig it.
A beach book for new readers.
The front-cover art shows a brown-haired boy with peachy skin and dark eyes gazing at readers while holding a shovel. He’s up to his armpits in a hole in the sand while a dog and a crab dig in the background. The back cover depicts the same boy in red-and-green swimming trunks looking at the sea beside another, bigger boy who shares his coloring but wears blue trunks. The two seem like brothers, and the older boy smiles encouragingly when the younger one says, “Look” on three successive pages as a shovel is borne into shore on the crest of a big wave. “I dig,” says the little boy on the next page, and he tunnels into the sand, finding: seashells (depicted in the art but not named in the appropriately controlled text); “a crab”; and “stars” (starfish in a watery pool that appears in the tunnel); and then “a dog,” which he follows “up” again to the beach’s sandy surface, where his brother awaits. The tunneling brings a touch of fantasy to the story, and whimsy arrives with the night’s sky and more “stars” spied by the boys—this time twinkling above. Both starry moments, as well as the energetic line that characterizes Cepeda’s technique in rendering backgrounds and figures alike, lend vitality to this simple story.
Kids will dig it. (Early reader. 4-6)Pub Date: May 14, 2019
ISBN: 978-0-8234-3975-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
The book’s simplicity guarantees achievement for beginning readers.
Two kids, probably siblings, explore their surrounding world through magnification.
While the older one remains inside with a microscope, the younger prefers the outside, examining all with a large hand-held magnifying glass. “I see,” the kid declares, focusing on several insects and animals while peering through the glass. A large, blue-black ant grins up through the glass as the child states, “I see an ant.” A butterfly, a snail, and robins’ eggs similarly appear through the glass, all narrated in the short, patterned text. Arriving home with discoveries crawling and flapping behind, the explorer now declares, “We see,” to the older child. The minimalist text is perfect for emerging readers, allowing children the ability to successfully read a whole book. Each repetitive sentence with its additional new word is coupled with recognizable picture cues to help in decoding. Cepeda’s characteristically energetic artwork offers sharp-edged, jagged lines that give it a scratch-art look. The siblings are dressed nearly identically, in blue shorts and red polo shirts, and they have tousled brown hair, beige skin, and big smiles.
The book’s simplicity guarantees achievement for beginning readers. (Picture book/early reader. 4-6)Pub Date: Nov. 12, 2019
ISBN: 978-0-8234-4504-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A superb example of text and image telling opposing stories—and of the humor that can be found in the intersection.
A canvas depicting an assemblage of items on a tablecloth comes to life, upending traditional assumptions surrounding artistic conventions.
The book’s narrator—an earnest, light-skinned artist with curly, salt-and-pepper hair—announces, “This is a still life. A painting of objects sitting still. In a still life, nothing moves.” A close-up reveals succulent fruit, a quill pen and an inkwell, and a castlelike dollhouse. In contrast to the painter and other characters, rendered as bright, flat caricatures, the painting is portrayed with a range of colors, subtle shading, soft texture, and a wealth of detail. As the artist continues with inspired musings about stillness, two mice appear and run inside the painting. The narrator urges readers to ignore the “jammy footprints” emerging from an open jar within the painting. Next, a dragon steps forth; the painter stresses that such creatures don’t belong “in this sort of painting.” Then a valiant knight arrives to slay the dragon, and a tan-skinned princess appears on the dollhouse’s throne. Zelinsky’s hilarious, action-packed scenes—a combination of hand drawing and digital work—contrast with the narrator’s serious admonitions not to acknowledge the dragon’s desperate plea for help, nor to pay any attention as the princess uses a spool of thread to zip-line down to join the ensuing chaos. Readers will be left with plenty to laugh—and learn—about as the artist exits.
A superb example of text and image telling opposing stories—and of the humor that can be found in the intersection. (Picture book. 4-6)Pub Date: Sept. 3, 2024
ISBN: 9780063229556
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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