by Joe Domanick ‧ RELEASE DATE: Aug. 11, 2015
Sprawling, engrossing, and highly relevant to the ongoing controversies about policing post-Ferguson, which Domanick...
An incisive examination of American policing, using a tumultuous two decades in Los Angeles as a lens.
Journalist Domanick (Cruel Justice: Three Strikes and the Politics of Crime in America's Golden State, 2004, etc.), associate director of John Jay College’s Center on Media, Crime, and Justice, argues that the philosophical conflicts within the LAPD convey the “larger saga of big-city American policing.” He weaves this complex narrative around several key figures—officers, administrators, civilian commissioners, and gangbangers-turned-interventionists—and events, starting in 1992 with the ugly flash point of the Rodney King beating and the subsequent riots. The LAPD was unprepared for a conflagration stoked by its reliance on paramilitary tactics in minority neighborhoods. Domanick considers this the key feature of the LAPD since the reign of martinet chief William Parker in the 1950s and ’60s. Parker’s protégé, Daryl Gates, was unapologetically provocative, promoting hyperaggressive policing during the violent crack era of the 1980s. In the post-King political wreckage, Gates was succeeded by two African-American chiefs, outsider Willie Williams and admired local cop Bernard Parks. Both failed to address the LAPD’s baroque leadership structure and aggressive tactics, and they were plagued by the flawed investigation of O.J. Simpson and the “Ramparts CRASH” corruption scandal. The city finally turned to William Bratton, the driven, ambitious proponent of statistically oriented policing who claimed credit for New York’s historic crime reductions. Bratton saw his LA appointment as an opportunity to “remake [police] culture into a community-policing model without undoing his broken-windows strategy.” Domanick paints on a broad canvas, often pausing to look at other cities’ parallel struggles with policing and crime. He adeptly balances a complex discussion, addressing both the necessity of proactive law enforcement in neighborhoods plagued by gang violence and the fundamental injustice of the “Drug War” model as applied to low-income communities. While the focus on multiple biographies can become tedious, this is a well-executed, large-scale urban narrative.
Sprawling, engrossing, and highly relevant to the ongoing controversies about policing post-Ferguson, which Domanick addresses in an epilogue.Pub Date: Aug. 11, 2015
ISBN: 978-1-4516-4107-3
Page Count: 436
Publisher: Simon & Schuster
Review Posted Online: June 27, 2015
Kirkus Reviews Issue: July 15, 2015
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by Joe Domanick
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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