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MY FLUORESCENT GOD

A PSYCHOTHERAPIST CONFRONTS HIS MOST CHALLENGING CASE—HIS OWN

Beautifully written, honest, enlightening, hope-giving and valuable—essential for anyone interested in or struggling with...

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With illuminating clarity, a psychotherapist describes how he suffered a paranoid psychotic mental breakdown as a young man and how he recovered.

In 1979, when Guppy was 23, he returned home to Seattle from a trip to Mexico and went insane. Suddenly, his perceptions underwent terrifying alterations. His family seemed demonic, and the most ordinary things were menacing: A Dire Straits song’s “crackling blue guitar solo cuts through my brain like a wire egg slicer.” At the hospital, he was diagnosed (he discovered later) as suffering psychotic depression with paranoid features. After six months of inpatient treatment, medications and therapies, Joe was ready to move out to a group home and, finally, to take up normal life. In his debut work, Guppy, now a psychotherapist in private practice, writes with astonishing clarity about his mental processes and the perceptual shifts involved both in going mad and in getting better. In paranoia, the misplaced significance that can fester is oddly similar to religious thinking: “God speaks in mysterious ways, in signs to be read by those with eyes to see”—signs like the doorknobs being too high or a staircase taking an extra turn. Guppy is particularly insightful in showing how paranoid delusions can be hard to give up, as when he asks himself whom he’d rather interact with: “An overburdened nurse, annoyed and bored [or a] wily demon?...To the nurse I am one more warehoused loser. To the demon I am a special person, deserving special treatment.” As he progresses, Guppy is able to develop a more nurturing spirituality than the terrifying, punitive Catholicism of his childhood, especially after some deeply touching moments of feeling close to and loved by God. He learns that he can control his thoughts, reactions and interpretations and convincingly shows the limitations of one-size-fits-all therapeutic approaches versus the growth and healing to be found in talk therapy and by connecting with other patients.

Beautifully written, honest, enlightening, hope-giving and valuable—essential for anyone interested in or struggling with mental health issues.

Pub Date: Aug. 7, 2014

ISBN: 978-1620154410

Page Count: 202

Publisher: Booktrope Editions

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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