adapted by Joe Hayes & illustrated by Vicki Trego Hill & Mona Pennpacker ‧ RELEASE DATE: Nov. 1, 2004
The most beautiful young woman of her small town, María disdains the local youths as beneath her and uses her wiles to attract the handsome son of a wealthy landlord. After a while, however, the headstrong husband loses his interest in María and speaks of putting her aside for a wealthy replacement. In rage and madness, María throws their children into the river and becomes “the weeping woman,” who guiltily haunts the waterways and may even snatch away careless children who stay too long outside at night. Hayes’s version is perhaps the classic American version of the classic Latin American folk tale and has been available in its earlier form for 20 years. This new edition features much larger, full-color illustrations destined to make the story even more popular, as well as the direct narration in both Spanish and English. This belongs in every folktale collection, and libraries serving Hispanic children, especially those of Mexican descent, can easily justify purchasing multiple copies. (Folktale. 7-12)
Pub Date: Nov. 1, 2004
ISBN: 0-938317-86-5
Page Count: 32
Publisher: Cinco Puntos Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2004
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by Laurie Keller & illustrated by Laurie Keller ‧ RELEASE DATE: Oct. 1, 1998
Imagine the states, Kansas, California, Ohio, and all the rest, as people with toothy grins, ping-pong balls for eyes, pipe cleaner limbs, and full-blown personalities. Imagine, then, that they get together at a party and decide to switch places on the map. In this amusing spoof, Kansas wakes up one morning saying, “I’m not feeling happy at all!” and starts the whole thing. Florida goes to Minnesota, California goes to Wisconsin, Nevada and Mississippi fall in love. Then the trouble starts: Alaska, who had missed company, feels claustrophobic among other states; Kansas finds his place in the middle of the ocean to be a bit too quiet; Minnesota, in Florida’s spot, forgets to pack suntan lotion; and so on. Soon the states are rushing back to their original spots with sighs of relief. Keller, in her first book pushes a silly idea, to great lengths, and will elicit laughs from all those who thought geography was boring. The states are colorful, boastful, belligerent, and charming, in collage illustrations that are full of spontaneous asides and intriguing labels. The states appear in a final gallery, with a few statistics to square off the whole funny enterprise. (Picture book. 8-10)
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5802-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Casey Lyall ; illustrated by Laurie Keller
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by Joan Holub ; illustrated by Laurie Keller
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Andrew Clements ; illustrated by Brian Selznick
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