by Joe Lex ; illustrated by Christopher Wilhelm ‧ RELEASE DATE: N/A
An episodic but fascinating collection of biographies of the women buried in Laurel Hill Cemetery.
Lex presents the life stories of the women buried in two Pennsylvania cemeteries.
In this companion volume to his monthly podcast All Bones Considered: Laurel Hill Stories, the author explores two large cemeteries in southeast Pennsylvania: Laurel Hill East and Laurel Hill West. East covers 78 acres, with 11,000 family plots, 33,000 monuments, and more than 75,000 interred bodies. West, located across the Schuylkill River, occupies 187 acres, has 270 family mausoleums, and nearly 100,000 dead—it still hosts around 200 burials per year, so that number is steadily growing. (These are vast populations, as Lex notes, comparable to those of cities like Allentown or Scranton.) In these pages (with accompanying unflattering illustrations by Wilhelm), the author tells the stories of some of the hundreds of women from the last three centuries buried in these cemeteries, ranging from historical figures to more contemporary people. In each case, he devotes a few hundred words, based on his research expanding on the meager details of headstones or mausoleum walls, to fleshing out the histories of these women. Readers get glimpses into the lives of people like Nellie Neilson (1873-1947), described as “Medievalist, Scholar, Athlete.” Neilson was the first woman to publish an article in the Harvard Law Review, and in 1943 became the first woman president of the American Historical Association. While there are limits to what can be gleaned from historical records (“I cannot find where Nellie Neilson did her primary education,” Lex writes, “but she majored in Greek and English in the relatively new Quaker college of Bryn Mawr, founded in 1885”), the fuller picture presented here is definitely one of a real, knowable person.
This sense of history in these pages is only enhanced by the author’s digressions about his own career in medicine, which is grounded in the long history of medicine in Philadelphia—Lex notes that in 1841, Philadelphia’s Pennsylvania Hospital became the first hospital in the world to have a separate department for physical medicine—a practice that would come into its own when “the American Civil War opened the eyes of organized medicine to the need for rehabilitation for the tens of thousands of soldiers and civilians” wounded during the conflict. The book’s greatest asset is the author’s skill at fitting a great deal of compelling biographical information about each of his subjects into a compact space. The profile of art connoisseur Bernice “Bonnie” McIlhenny Wintersteen is a perfect example; Lex documents her accomplishments, but also includes ample dashes of her personality (when questioned by a reporter in the 1970s about how she planned to dispose of her substantial collection of Picassos, for instance, “she said that she would have given them to the Philadelphia Museum of Art if the museum’s former director, Evan Turner, had treated her a bit nicer”). “To remember these women is not just to honor their memories; it is also to recognize their contributions to our community,” Lex writes, summing up the book’s central thesis. “Many of them defied familial and societal expectations to advocate for change in a time when their voices were marginalized and felt to be of lesser value.”
An episodic but fascinating collection of biographies of the women buried in Laurel Hill Cemetery.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 27, 2025
Review Program: Kirkus Indie
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by David McCullough ‧ RELEASE DATE: Sept. 16, 2025
A pleasure for fans of old-school historical narratives.
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New York Times Bestseller
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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