by Joe Queenan ‧ RELEASE DATE: Oct. 29, 2012
An amusing homage to reading that contains something to offend even (especially?) the most ardent book lover.
A journalist shares his obsession with books, swinging his machete through the fields of literature.
A national columnist and prolific writer, Queenan (Closing Time: A Memoir, 2009) is crazy about books—literally. Even other bibliophiles will likely consider his reading habits to be on the lunatic fringe: “I cannot remember a single time when I was reading fewer than fifteen books…I am talking about books I am actively reading, books that are right there on my nightstand and are not leaving until I’m done with them. Right now, the number is thirty-two.” The author admits that this is “madness.” Such obsession makes him a promiscuous reader, but also a faithful one, devouring everything he can find from an author he discovers, no matter how obscure or prolific. Since he’s sometimes classified as a humorist, and since much of his humor lies in his outrageous assertions, it’s hard to tell how seriously to take his dismissal of Middlemarch, Ulysses and all of Thomas Hardy, though plainly he takes books and reading very seriously indeed. Yet he doesn’t much care for independent bookstores (“often staffed by condescending prigs who do not approve of people like me. The only writers they like are dead or exotic or Paul Auster”), or book critics (“mostly servile muttonheads, lacking the nerve to call out famous authors for their daft plots and slovenly prose), or book clubs (“I would rather have my eyelids gnawed on by famished gerbils than join a book club”). Queenan also resists the temptation of most book lovers to buy a lot of books, since he figures he won’t live long enough to read (or re-read) the ones he’s vowed to finish before he dies. Most will agree that “reading is intensely personal,” and the author splatters his personality over every page.
An amusing homage to reading that contains something to offend even (especially?) the most ardent book lover.Pub Date: Oct. 29, 2012
ISBN: 978-0-670-02582-4
Page Count: 256
Publisher: Viking
Review Posted Online: Aug. 8, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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