Boy and birds alike sing with infectious joy in this loving tribute, and the 3-song CD that comes with it is a nifty bonus.
The simplest and arguably best Sesame Street song serves as text to an almost equally elemental storyline in which music serves as the wind beneath a little bird’s wings.
Lichtenheld opens with a set of wordless spreads. In a nest on a branch suspended in space against a pale wash of blue, a fledgling sees its two sibs sing a note and fly away. Noteless, sad and alone, the bird sits—until a lad with a guitar (and early Bob Dylan hair) saunters into view, takes a seat down below and unself-consciously ripples out notes. These shatter the nest and send the bird soaring to join its sibs in a buoyant chorus. Along with being strung out in short phrases to accompany the illustrations, the song’s words are recapped at the end—both in English and in a partial Spanish translation—with all the “La-la-la-la-la”s added. The book closes with an image of the original manuscript with a note from the composer’s son. (A musical arrangement is absent, but it’s probably superfluous anyway, so well-known is this song.)
Boy and birds alike sing with infectious joy in this loving tribute, and the 3-song CD that comes with it is a nifty bonus. (Picture book. 3-5)Pub Date: May 28, 2013
ISBN: 978-0-8050-9071-0
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
A sweet, springtime-themed reworking of a beloved tale.
The classic picture book Chicka Chicka Boom Boom (1989) gets a makeover for Easter as the letters of the alphabet locate and decorate eggs.
The mission is simple: “Chicka chicka peek peek. / Everybody seek seek! / Find all the eggs / in the pretty pink tree.” The letters are making their way up the flowering tree in search of the hidden eggs when a “SNEEZE!” scatters everyone and the eggs fall and crack. Luckily, a bunny hops by with a haul of new ones, which the letters then paint and bedazzle, eventually sharing the newly decorated eggs with a group of bunnies. This picture book is a successfully Easter-fied version of the original: The letters go up; the letters fall down. Truly, though, that’s all the preschool crowd needs. Chung’s illustrations are simple and familiar, a direct echo of Chicka Chicka Boom Boom. The letters appear in colorful, bold, block form. The book has few added details, just focal images like the tree and its pink flowers, the colorful eggs, tufts of grass, and some friendly rabbits. The alphabet appears in order (both upper- and lowercase letters) at the book’s open and close. The rhyming text follows the iconic cadence of the source material, making for a worthy read-aloud that will keep little hands turning pages.
A sweet, springtime-themed reworking of a beloved tale. (Picture book. 3-5)Pub Date: Jan. 20, 2026
ISBN: 9781665990646
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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