A most enjoyable setup for the Scottish play, but be sure to read the original, too.
A prequel to Shakespeare’s Macbeth told in modern prose.
An 11th-century widow and her 10-year-old son are called “the Lady” and “the boy,” as if their names don’t matter. Indeed, her life is shaped wholly by men. The thane Macbeth has murdered her husband—burned him alive—and now moves into the woman’s castle. Not only does she not mind, but they fall in love and marry. Do the castle gossips call it an unholy union? As well they might, and the boy resents both his mother and Macbeth. She tells her son that together they can teach Macbeth how to be a father and a husband. “It is harsh, this world,” the mother says. “It is so hard to find love in it….We are fortunate if we find the smallest drop.” Drops of love are scant in this tale, while drops of blood are much easier to find. Morris doesn’t handle the plot quite as Shakespeare did, with witches and a murder scheme. This is less the story of Macbeth than it is the story of the missus. She is spooked by apparitions and a mysterious voice that says, “You shall be queen hereafter.” It’s hard for her to imagine how, as Duncan is king. But then her trusted “coz” Macduff reminds her that Macbeth is second in line. If you’ve read the play, you already know where we’re headed, but don’t let that stop you from reading this beautiful interpretation, which is so rich in its descriptions and well-crafted characters. Yes, night is a frightening time to be in the woods, but “ghosts melt away at the whiff of dawn.” There are mormaers and crones, thanes and witches, ambition and vengeance. And did we mention blood? Oh yes. Even the minor characters are fun, like the boy’s tutor Broccin, who despises children: They should all be sent to monasteries, “where the years might drain them of their insouciance like leeches applied to the body.”
A most enjoyable setup for the Scottish play, but be sure to read the original, too.Pub Date: March 12, 2024
ISBN: 9780593715383
Page Count: 368
Publisher: Putnam
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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