Next book

OPIUM SEASON

A YEAR ON THE AFGHAN FRONTIER

Not likely to win any new converts to America’s cowboys-and-Indians approach to fixing foreign countries’ deep-seated...

Long-winded, superfluously stuffed account of the author’s vain attempts to induce the Afghans to give up their primary cash crop.

From November 2004 to May 2005, Hafvenstein worked as a development coordinator for Chemonics International, a contractor for the U.S. Agency for International Development (USAID), in the military outpost of Lashkargah near the Helmand River, deep in the heart of opium-growing country. His urgent assignment was to wean the growers from poppy while the Afghan government supposedly pushed for its eradication. The USAID team was charged with creating enough temporary paying jobs to cushion the economic damage to opium farmers. However, the scale of the 2004 harvest was hugely lucrative; the Afghans produced a whopping 87 percent of the world’s illegal opium. The author and his colleagues faced an arduous, dangerous task: to manage the walis (provincial governors) as well as the tribal groups and the remnants of Taliban rebels, while securing the safety of the agency’s personnel. They learned that this area was the site of a previous American reconstruction effort in the 1940s, the damming of the Helmand and Arghandab rivers by American engineering company Morrison-Knudsen, one of the contractors on the Hoover Dam. Hafvenstein’s team insinuated itself into the powerful Afghan government agency controlling the rivers’ modern irrigation system in order to secure local jobs clearing drainage ditches. They were threatened by warlords still tied to the Taliban and ultimately defeated by the government’s halfhearted commitment to eradication. Kidnapping and murders forced out the American agency, overwhelmed by the scale and significance of the project.

Not likely to win any new converts to America’s cowboys-and-Indians approach to fixing foreign countries’ deep-seated problems.

Pub Date: Nov. 1, 2007

ISBN: 978-1-59921-131-2

Page Count: 240

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2007

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Close Quickview