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OPIUM SEASON

A YEAR ON THE AFGHAN FRONTIER

Not likely to win any new converts to America’s cowboys-and-Indians approach to fixing foreign countries’ deep-seated...

Long-winded, superfluously stuffed account of the author’s vain attempts to induce the Afghans to give up their primary cash crop.

From November 2004 to May 2005, Hafvenstein worked as a development coordinator for Chemonics International, a contractor for the U.S. Agency for International Development (USAID), in the military outpost of Lashkargah near the Helmand River, deep in the heart of opium-growing country. His urgent assignment was to wean the growers from poppy while the Afghan government supposedly pushed for its eradication. The USAID team was charged with creating enough temporary paying jobs to cushion the economic damage to opium farmers. However, the scale of the 2004 harvest was hugely lucrative; the Afghans produced a whopping 87 percent of the world’s illegal opium. The author and his colleagues faced an arduous, dangerous task: to manage the walis (provincial governors) as well as the tribal groups and the remnants of Taliban rebels, while securing the safety of the agency’s personnel. They learned that this area was the site of a previous American reconstruction effort in the 1940s, the damming of the Helmand and Arghandab rivers by American engineering company Morrison-Knudsen, one of the contractors on the Hoover Dam. Hafvenstein’s team insinuated itself into the powerful Afghan government agency controlling the rivers’ modern irrigation system in order to secure local jobs clearing drainage ditches. They were threatened by warlords still tied to the Taliban and ultimately defeated by the government’s halfhearted commitment to eradication. Kidnapping and murders forced out the American agency, overwhelmed by the scale and significance of the project.

Not likely to win any new converts to America’s cowboys-and-Indians approach to fixing foreign countries’ deep-seated problems.

Pub Date: Nov. 1, 2007

ISBN: 978-1-59921-131-2

Page Count: 240

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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