A wry, beguiling romance that’s passionate about faith and love.
Two devoutly religious teenage boys fall in love and struggle to find acceptance in this YA coming-out novel.
Charlie is a 16-year-old kid in a small Illinois town who loves theater and is gravitating from Roman Catholicism to a Baptist youth group. Tim is the son of the new pastor at Calvary Baptist Church and a student at Charlie’s high school; the two meet online and bond despite having opposing opinions on ice cream sprinkles and cargo shorts. Tim invites Charlie to church, where they weather a nosy parishioner. Charlie invites Tim to drama club; the two get in a car crash on their way to a bowling alley (with no injuries); and it seems as if they have a sunny future being “in love with Jesus and in love with each other.” Unfortunately, they are inhibited by the difficulties of making their relationship public. Charlie has an easier time of it: He comes out to a friend and his sympathetic drama teacher, neither of whom seems surprised by the news. But Tim is more furtive, having already been forced into therapy for his inclinations by his parents, and freaks out when Charlie holds his hand in drama club. It seems as if the only thing holding their relationship together is a small voice they hear in their hearts telling them that God accepts them. Shoemaker makes his characters’ religiosity and gay sexuality equally central—and harmonious—parts of their personalities, treating them seriously but in a usually lighthearted tone. He crafts complex, convincing characters and fleshes them out in supple prose and spot-on dialogue that’s split between awkward adolescent self-consciousness—“Okay, so I want to say something dumb but, it’s just that, I kind of almost maybe more than like you,” says Tim—and more knowing, adult reflections. (“Mother will love it and she will cry,’ Charlie muses about his bit part in a school play, “and she will bring me flowers and she will cry, and she will hug me afterwards like seventeen relatives suddenly died and she is so pleased that I was not among them and she will cry.”) Readers will root for Charlie and Tim to find their way through the thicket of anxieties and droll snark to happiness.
A wry, beguiling romance that’s passionate about faith and love.Pub Date: Dec. 4, 2021
ISBN: 979-8490557258
Page Count: 153
Publisher: Independently Published
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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