Quirky, earnest—and sweet, indeed.
When two creatures meet, the language skills of one enhance both their lives.
Creature-Of-No-Words—a large, orange being—lacks the words to articulate his experiences. But silence isn’t problematic when Creature-Of-No-Words is gazing peacefully out to sea or happily flinging pebbles skyward. Whether eating something yummy or warming himself by a fire, he seems self-sufficient despite his wordlessness. Yet at other times, he becomes deeply despondent. He thumps his chest, emits “a deep-down belly groan,” and cries. On one such day, the smaller Creature-Of-Words happens by. She knows how to name her moods, that something delicious is a “Treat! Treat!”—and that this big, sad creature needs a “Hug! Hug!” Award-winning poet Agard’s pithy triplets are laced with occasional rhymes. Kitamura’s illustrations, filled with all-over patterns for orange fur, tree bark, and greenery, reinforce Agard’s suggestion that Creature-Of-Words introduces not only language, but civilization. “From that day the two of them lived / together in a house where words also lived, / which was all well and good.” The duo are now silhouetted inside a conventional home (not the male’s previous cave), with word bubbles drifting from the chimney like balloons. The pair’s respective companions—birds and small mammals—form harmonious bonds, too. When enough has been said, all enjoy the “sweet silence” of a “no-words night beside the fire.”
Quirky, earnest—and sweet, indeed. (Picture book. 4-7)Pub Date: May 7, 2024
ISBN: 9781915252470
Page Count: 32
Publisher: Scallywag Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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