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FINITY

College professor Lyle Peripart, the descendant of American expatriates, tries to ignore the various Reichs that rule the world following the Axis victory in WWII over a century ago, until the powerful industrialist Geoffrey Iphwin, interested in Lyle’s clever statistical analyses, hires him. After the interview, he’s beaten and interrogated by the fearsome female Gestapo operative, Billie Beard—but her questions are baffling. Stranger still, it emerges that Lyle managed to be in two places at once: while he was being interviewed, he was also flying to Saigon with his fiancÇ, Helen Perdita. Shrugging, Lyle joins Helen in Saigon, where a fat German tourist tries to assassinate him. Helen, suddenly packing a pistol, blasts the assailant—who turns out to be Billie Beard! Moreover, Helen now denies she can shoot, and claims she saw Lyle killed. In the history she remembers, the Allies won WWII, but America lost a nuclear war in the 1980s. Confused? According to Iphwin, since the introduction of quantum computing devices, every time someone uses a phone, or switches on a computer, he or she jumps into another reality, of which there are an infinite number. Iphwin himself is a human avatar of a “cyberphage,” an artificial intelligence patrolling the realities as a sort of super System Administrator. Even more puzzling, America has disappeared from every reality: just trying to think about it causes pain and confusion. The cyberphage wants to know why. The opposition—Billie Beard is its avatar—is cleaning up the system by killing anyone who knows anything. Eventually, we learn why America disappeared and, disappointingly, how it all comes out. From the author of Earth Made of Glass (1998), etc, a virtuoso piece of probability-juggling that mostly adds up—until that dreadfully anticlimactic non-ending brings you back to, er, reality with a thump.

Pub Date: March 11, 1999

ISBN: 0-312-86118-4

Page Count: 304

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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