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Silhouettes and Seasons

ESSAYS AND IMAGES OF A PERSONAL NATURE

A finely introspective work for lovers of nature and Thoreau.

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Poetic personal essays and reflections on life, featuring nature as a teacher, theme and metaphor.

LaRizzio (Hey Milkman!, 2011) presents his personal observations on many of life’s key moments, using the idea of nature as a recurring theme. With the studied eye of a landscape painter, he offers deeply personal takes on the seasons, wildlife, modern-day living, sunrise and sunset, the sounds of nature, the art of writing, a place called Mt. Laurel, and the rain, snow and wind, among many other topics. He divides the work into several chapters by year of composition, beginning in 1994 and continuing through 2000, and further organizes the pieces by season and month. He includes black-and-white photographs throughout, giving a sense of both a journey and a journal. LaRizzio assumes the voices of such great transcendentalist writers as Ralph Waldo Emerson and Henry David Thoreau, and he proves to be an able naturalist and philosopher himself: “We are living life at an isolating distance,” he writes, contrasting the beauty of nature with the artificial lives of the modern era. Many first-person observations resonate: “I step outside into the brittleness of the evening air and absolve myself from the oppressive claim of the office. The darkness is pervasive, pouring its heavy chill into the empty spaces that dominate the winter-laden land”; “I’ve come to know the snow as crystallized silence.” Like a book of watercolor sketches, each essay displays LaRizzio’s maturing skills as a descriptive narrator. The occasional overuse of alliteration (“Man surrenders himself to prayer, practice, and preach; to sermon, solemnity, and psalm”) is easily forgiven as the author migrates to rhymed poetry and re-emphasizes his central theme: “I surrender myself to the ethereal breeze, the dawn’s subtle tease that romances the flowers and dances the leaves. I celebrate the liturgy of the morning damp.” In poetic fashion, the book highlights the religion of Mother Nature and prods modern-day unbelievers to examine their own creeds.

A finely introspective work for lovers of nature and Thoreau.

Pub Date: Oct. 15, 2013

ISBN: 978-1457522703

Page Count: 188

Publisher: Dog Ear

Review Posted Online: Jan. 10, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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