bookshelf

THE RIG

Name: THE RIG
Author: John Collee
ISBN: 0-688-11482-2

by John Collee ‧ RELEASE DATE: June 18, 1992

bookshelf

An oilman on the skids pulls himself together to fly to the Indian Ocean to see whether a plane full of his old colleagues fell from the sky or was pushed. Collee is the author of the medical thrillers A Paper Mask and Kingsley's Touch. Spence, a boozy, brokenhearted Canadian with either no first name or no last, attends the funeral of a dozen fellow oil-workers whose charter flight from Madagascar crashed seconds after takeoff. At the funeral, Spence spies the faithless wife whose betrayal sent him into an alcoholic tailspin and the crippling, near-fatal accident that ended his own career. He also sees his newly widowed friend Cora, who begs him to find out whether there's any basis to the rumor that the flight on which her husband died was sabotaged. Spence combines the unpaid detective work with a contract to tidy up the African drilling site. But he lands in the middle of political upheaval: Madagascar's honest but luckless government is about to fall, a victim of its own unfulfilled hopes for the discovery of oil that would rebuild the impoverished country. Wanting to take power is a charismatic, Sorbonne-educated onetime radical. At the drilling site, Spence checks into a hotel run by the ravishing Mme. Perpetuda Peyrame, who is, oddly enough, another Sorbonne graduate. Before he can pack up the rig for sale to the government, Spence gets his hands on the last records of the drilling team and finds—what's this?—there really was oil after all. Lots and lots of it. Did Norco, the firm that paid for the drilling, know about this? If they did, why did they close the site? And why didn't they tell anyone about the fabulous discovery? Sophisticated thriller that hops back and forth from the untouristed tropics to the steppes of Alberta to great effect.

Pub Date: June 18, 1992

ISBN: 0-688-11482-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

Categories:

GENERAL FICTION

bookshelf

FIFTY SHAMES OF EARL GREY

by Fanny Merkin ‧ RELEASE DATE: July 31, 2012

Anna may learn to laugh with, instead of at, Grey, but the constant lampooning leaves the reader numb.

bookshelf

Can a young, preternaturally successful corporate executive overcome his 50 shameful secrets to find true love?

Andrew Shaffer (Great Philosophers who Failed at Love, 2011), writing as Merkin, skewers both E. L. James’ Fifty Shades of Grey and Stephanie Meyer’s Twilight in his debut novel. Both series are certainly ripe for parody, yet Shaffer misses a real opportunity by indulging in easy, crude jokes, rather than incisive satire. Shaffer’s Anna Steal, like James’ Anastasia Steele and Meyer’s Bella Swan, suffers from a relentless interior monologue. Unfortunately, she offers little in the way of thought or advice, but instead wonders how elevators work and gulps in awe of Mr. Grey. Anna meets Grey while interviewing him for Boardroom Hotties, the magazine her too-often-hung-over roommate writes for, and the attraction is instantaneous. Grey quickly seeks to acquire Anna, dazzling her with his wealth by purchasing Wal-Mart just to give her the afternoon off for a date, buying Washington State University just to relieve her of taking tests, flying her about in his fighter jets and helicopters, ordering two of everything on the room-service menu, and whisking her away to a private island. Yet Grey has “dangerous” secrets. Unlike Edward Cullen, who was a lethal vampire, or Christian Grey, who sought the perfect submissive for his domination, Earl Grey indulges in rather tame danger. His secrets include a fondness for spanking, swimming in silver thongs, dressing up as an elf, and decorating with black velvet paintings. Warning Anna about his kinky sexuality, he introduces her to his Room of Doom, where they play Bards, Dragons, Sorcery and Magick. More a Master of Dungeons and Dragons than BDSM, Grey shocks Anna not with his deviance but his self-delusions.

Anna may learn to laugh with, instead of at, Grey, but the constant lampooning leaves the reader numb.

Pub Date: July 31, 2012

ISBN: 978-0-306-82199-8

Page Count: 224

Publisher: Da Capo

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

Categories:

GENERAL FICTION

bookshelf

THE SANDMAN

BOOK OF DREAMS

edited by Neil Gaiman & Edward E. Kramer ‧ RELEASE DATE: Aug. 1, 1996

bookshelf

Top-flight fantasy collection based on Gaiman's character The Sandman, developed in a series of graphic novels for DC Comics, as reimagined by a strong group of fantasists. Long-lived comics readers will remember fondly the original "Sandman" from the 1930s and '40s, with his fedora, googly-eyed gas mask and gas gun; Frank McConnell discusses this precursor in his preface while hauling in Joyce, Nietzsche, Ibsen, Jung, and Wallace Stevens to dress up Gaiman's stow-parentage. Inventing his own lore for the character, Gaiman (1990's hilariously naughty Good Omens, with Terry Pratchett) wrote 75 installments of The Sandman before closing shop. Awash with watercolors and supersaturated with acid, The Sandman stories are stories about storytelling, celebrations of the outrâ€š imagination. The central character of Gaiman's work evolved into a figure variously known as Dream, or Morpheus, or the Shaper, or the Lord of Dreams and Prince of Stories, and his surreal family is called the Endless, composed of seven siblings named Destiny, Death, Dream, Destruction, Desire, Despair, and Delirium. Drawing on Gaiman's inkwell are Clive Barker (frontispiece but no story), Gene Wolfe and Nancy A. Collins, and a number of lesser lights, all in top form. George Alec Effinger invents a long tale inspired by Winsor McCay's classic comic strip "Little Nemo" ("Seven Nights in Slumberland"), while Colin Greenland ("Masquerade and High Water"), Mark Kreighbaum ("The Gate of Gold"), Susanna Clarke ("Stopt-Clock Yard"), and Karen Haber (in the outstanding "A Bone Dry Place," about a suicide crisis center) mainline directly from the ranks of the Endless. Rosettes to all, but especially to John M. Ford's "Chain Home, Low," which ties an onslaught of sleeping sickness to the fate of WW II fighter pilots, and to Will Shetterly's "Splatter," about a fan-convention of serial killers who lead their favorite novelist (famous for his depictions of psychopathic murderers) into the real world of serial-killing. Fancy unleashed on rags of moonlight.