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GLASSES, WALLET, KEYS

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Varied, engaging, and skillfully written tales.

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A brief collection of five short stories explores universal themes from a variety of perspectives.

Williams’ debut book opens with the title tale, in which a man deals with life at home with his geriatric dog in the early days of the pandemic. In “Uncle Duck,” a fraught relationship between uncle and nephew becomes more complicated with a bathroom renovation. “Ludmilla This, Ludmilla That” tells of a New Yorker’s sequentially unsuccessful attempts at romance. “Bunny” jumps back to the early days of the Great Depression as a woman tries to ensure that her sister’s death is treated respectfully, at least by the local newspaper. The final work, “The Guru Had an Off Night,” returns to the present as a father and son suffer through a tedious sales pitch with appropriate skepticism. The five stories are varied in topic and style, and they demonstrate an appreciable versatility; for example, Williams experiments with a choppy, commandlike prose in the opening tale: “Stop & Shop. Short line out front. Social distance. Grim faces. Mask up, eyes down.” Other stories offer more traditional narratives and delve into familiar themes, such as masculinity, family, and connection, from different angles (“I was more comfortable as the father of a little boy than of a teenager, even less so now of a young man,” the narrator of “The Guru Had an Off Night” muses), offering thought-provoking and challenging interpretations of human beings’ responsibilities toward one another. Manhattanites and those from other parts of New York state will particularly appreciate the precision of most stories’ carefully developed settings, which are full of subtle, realistic details. Some characters are less engaging than others—in particular, the protagonist of “Ludmilla” grows tedious with his expectations of reciprocated affections—but most are compelling and multilayered, offering readers plenty to ponder.

Varied, engaging, and skillfully written tales.

Pub Date: March 31, 2023

ISBN: 9781667880914

Page Count: 90

Publisher: BookBaby

Review Posted Online: March 22, 2023

Kirkus Reviews Issue: May 15, 2023

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WILD DARK SHORE

Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.

The reality of climate change serves as the pervasive context for this terrific thriller set on a remote island between Australia and Antarctica.

Four family members and one stranger are trapped on an island with no means of communication—what could go wrong? The setup may sound like a mix of Agatha Christie and The Swiss Family Robinson, but Australian author McConaghy is not aiming for a cozy read. Shearwater Island—loosely based on Macquarie Island, a World Heritage Site—is a research station where scientists have been studying environmental change. For eight years, widowed Dominic Salt has been the island’s caretaker, raising his three children in a paradise of abundant wildlife. But Shearwater is receding under rising seas and will soon disappear. The researchers have recently departed by ship, and in seven weeks a second ship will pick up Dominic and his kids. Meanwhile, they are packing up the seed vault built by the United Nations in case the world eventually needs “to regrow from scratch the food supply that sustains us.” One day a woman, Rowan, washes ashore unconscious but alive after a storm destroys the small boat on which she was traveling. Why she’s come anywhere near Shearwater is a mystery to Dominic; why the family is alone there is a mystery to her. While Rowan slowly recovers, Dominic’s kids, especially 9-year-old Orly—who never knew his mother—become increasingly attached, and Rowan and Dominic fight their growing mutual attraction. But as dark secrets come to light—along with buried bodies—mutual suspicions also grow. The five characters’ internal narratives reveal private fears, guilts, and hopes, but their difficulty communicating, especially to those they love, puts everyone in peril. While McConaghy keeps readers guessing which suspicions are valid, which are paranoia, and who is culpable for doing what in the face of calamity, the most critical battle turns out to be personal despair versus perseverance. McConaghy writes about both nature and human frailty with eloquent generosity.

Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.

Pub Date: March 4, 2025

ISBN: 9781250827951

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE CITY AND ITS UNCERTAIN WALLS

Astonishing, puzzling, and hallucinatory as only Murakami can be, and one of his most satisfying tales.

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Another beguilingly enigmatic tale from Murakami, complete with jazz, coffee, Borgesian twists, the Beatles, and other trademark motifs.

In what is in many ways a bookend to 1Q84, Murakami blends science fiction, gothic novel, noir mystery, horror (think Kiyoshi Kurosawa’s film Pulse), and coming-of-age story. His protagonist and narrator, as the novel opens, is a 17-year-old boy aswoon in love with a 16-year-old girl. “At that time neither you nor I had names,” he sighs, and when the girl slips away, he knows too little about her to find her. Before that, though, she transports him to a walled city that’s not on any map: “Not everyone can enter. You need special qualifications to do that.” Both of them have those qualifications, the young man filling the urgently needed role of a reader of dusty and long-backlogged dreams. The girl moves on, the boy becomes a middle-aged man, and back in the real world where “silence and nothingness, as always, were my constant companions,” he abandons Tokyo for a little mountain town to become its librarian, curating real books, not dreams. There he encounters two otherworldly characters, one a neurodivergent teen, Yellow Submarine Boy, who memorizes every book he reads, whatever the subject. The other—well, as he explains, “without hesitation, I’d say that although it’s rather dated and convenient, you could call me a ghost.” Both characters point in their own ways to a fleeting world where all that matters, in the end, is love—and where love is always just out of reach. It’s an elegant fable that deftly weaves ordinary reality—“something you have to choose by yourself, out of several possible alternatives”—with a shadow world that is at once eerie and beautiful.

Astonishing, puzzling, and hallucinatory as only Murakami can be, and one of his most satisfying tales.

Pub Date: Nov. 19, 2024

ISBN: 9780593801970

Page Count: 432

Publisher: Knopf

Review Posted Online: July 11, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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