by John Crowley ‧ RELEASE DATE: Aug. 15, 1994
Crowley (Aegypt, 1987, etc.) struggles to recapture the smooth blending of straight narrative and speculative hermeticism that gave his best work, Little, Big (1981), the startling quality of metaphysical realism. It eludes him, unfortunately, here. Very much a book of levels, as the title's two primal forces indicate, this is the story of a writer named Pierce Moffett, who grew up with his mother and uncle and cousins in rural Kentucky (far removed from his homosexual father back in New York City). Pierce eventually turns into an upstate New York loner, an isolato equipped with paranormal gifts of magic and wisdom that set him more firmly in tune with the music of the spheres than with the lives of his neighbors. The book is a chronicle of Pierce's slow steps into this world (a fuller sex life, learning to drive) but also a charting of the introduction he unwittingly provides to others of a reality off, as it were, to one side of daily conscious life. Crowley adds historical focus in chapters about the struggles of two 16th-century psychic pioneers, the Italian metaphysician Giordano Bruno and the English mage John Dee. These historical sections, though graceful (Crowley is a deliciously elegant writer, sentence by sentence), are heavy dumplings; and though Crowley ultimately and quite strikingly turnbuckles the two levels into one at the end, it feels a lot less than natural and inevitable. The split-vision pretty much weighs down the spring of Pierce's pilgrim's progress into love and eroticism (women, but also a sexual relationship with a 13-year-old boy who is his illegitimate son, a pure Eros figure). In the end, the secret knowledge so sought after here comes to seem a burden the reader would rather shrug off than embrace. Disappointing.
Pub Date: Aug. 15, 1994
ISBN: 0-553-09642-7
Page Count: 512
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Johann Valentin Andreae & John Crowley illustrated by Theo Fadel
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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