Next book

THE INFINITE BOOK

A SHORT GUIDE TO THE BOUNDLESS, TIMELESS AND ENDLESS

Another pleasing popularization of science from an old hand.

Define the universe, and give two examples.

If that kind of challenge makes your head hurt, then science explainer and Cambridge mathematician Barrow’s latest excursus into the unusual (The Constants of Nature, 2003, etc.) will send pain receptors into overdrive. Infinity is a hard enough notion to grasp, the kind of thing that set many a smoky dorm room into far-out reveries back in the day. But what if there are multiple infinities? What if there are many different series of things that have no end, mathematically and logically? What if, as the Indian mathematician once said, below the seemingly endless chain of turtles that held the world up in the sky there were simply more turtles? That’s the kind of talk, Barrow writes, that once “made mathematicians very nervous about infinities. It is easy to see why infinity was regarded as a form of logical plague that destroyed the reliability of everything it touched.” Yes, it is, for infinity is a great underminer of certainty. Barrow has more questions for us to entertain: “Does the Universe have an ‘edge’ or is it simply unbounded in size?” “Is infinity just a shorthand for ‘finite but awfully big’?” Mathematicians, logicians, cosmologists, philosophers and physicists have been preoccupied by such conundrums for a very long time, and some of them, such as the 19th-century German scholar Georg Cantor, became “corrupters of youth” (as one of Cantor’s enemies charged) by showing that infinity was not just a potential but a process—and one, incidentally, that might lead to the doorway of God. (God’s infinity, Cantor said, was different from mathematical infinity and physical infinity. Let the headaches commence.) Mathematicians now take the idea of infinity/infinities for granted. Barrow is a lucid and sometimes even lyrical explainer, and nonspecialist readers with a liking for the history of science and the progress of human thought will find these pages to be most accessible. Prospective time-travelers, too, will want to brush up on the math toward the back of the book.

Another pleasing popularization of science from an old hand.

Pub Date: Aug. 2, 2005

ISBN: 0-375-42227-7

Page Count: 352

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview