First-rate reporting and erudition underlie this successful effort to re-establish the reputation of an indispensable...
A United States Geological Survey scientist returns with a rich account of one of his predecessors: Thomas Jaggar (1871-1953), a somewhat forgotten pioneer in volcanology.
Dvorak (Earthquake Storms: The Fascinating History and Volatile Future of the San Andreas Fault, 2015), who now operates the telescope at Mauna Kea in Hawaii, a site where Jaggar spent some enormously productive years, brings not just a sharp understanding of the scientific issues involved, but also a humanist’s heart. We see him as a flawed human being but a ferociously dedicated researcher, a fearless adventurer (who ran toward eruptions), and a visionary. The author begins with Jaggar’s Cincinnati boyhood in the home of an important local clergyman, then commences his swift, engaging accounts of Jaggar’s numerous visits to remote (and dangerous) sites, travels that make the word peripatetic seem insufficient. Alaska, Japan, the Caribbean, Hawaii—these are a few of the places he traveled to understand what fascinated him the most: the power in the Earth. Dvorak pauses occasionally to chronicle Jaggar’s personal life (which became somewhat scandalous), but these stories, though important, are not his focus. He seeks to teach readers about volcanology—and does so in terms that laypeople can comprehend—and he makes us feel the excitement, the fear, and the intense heat of a lava flow. We get some Hawaiian history, as well, with an especially interesting section about the origin of the goddess Pele and how many Hawaiians were quick to credit or blame her for the vagaries of the volcanoes. Occasionally, Dvorak steps into the story to add some information about one of his own related experiences, no more affectingly so than when he visited the Japanese relatives of one of Jaggar’s Hawaiian assistants, a family rounded up during the World War II internment-camp period.
First-rate reporting and erudition underlie this successful effort to re-establish the reputation of an indispensable scientist.Pub Date: Dec. 15, 2015
ISBN: 978-1-60598-921-1
Page Count: 356
Publisher: Pegasus
Review Posted Online: Oct. 3, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
Lionel Dahmer, father of mass murderer Jeffrey Dahmer, here writes one of the most courageous, unsensational books ever written about serial murder. It does not even summarize Jeffrey's crimes. Dahmer takes upon himself much of the guilt for his son's acts by considering a genetic predisposition to murder he may have passed on to his son; various acts of his own moral blindness that may have contributed to his son's deprived emotional being; and things he did and didn't do when certain symptoms appeared that might have alerted him to Jeffrey's lust for sexual atrocity. What parts of the father, the book asks, are replicated in the son? Largely, Jeffrey is a failure whose failings were earlier those of his father, though the father overcame each failing as its pain grew. Intellectually and physically inferior as a child, Lionel was tutored by his parents from first grade on, and by dint of hard study earned a doctorate in chemistry. A puny child, he took up body-building as a teenager and turned himself into a fine physical specimen. But he also had murderous dreams from which he would awake trembling. Jeffrey's mother was also a depressive, and her excessive pill-taking during pregnancy may well have damaged Jeffrey's genes. As a child, he developed a testicular hernia that, when treated by surgery, gave him a fear of castration and seemed to lead into lasting withdrawal from his family and friendships and, by the time he was 15, into alcoholism and a liking for dead things. Lionel sees Jeffrey's main psychotic trigger lying in a need to control: his own need for intellectual and physical control resulted in a glass wall between himself and Jeffrey; Jeffrey's need for control grew into a need for drugged or dead lovers who submitted to him absolutely. Clear, modest, intelligent—and extremely disturbing.
Pub Date: March 1, 1994
ISBN: 0-688-12156-X
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1994
Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes.
A majestic biography of “history’s most creative genius.”
With many exceptional popular history books under his belt, Isaacson (History/Tulane Univ.; The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution, 2014, etc.) is close to assuming the mantle currently held by David McCullough. Here, Isaacson takes on another complex, giant figure and transforms him into someone we can recognize. The author believes the term “genius” is too easily bandied about, but Leonardo (1452-1519), from the tiny village of Vinci, near Florence, was “one of the few people in history who indisputably deserved—or, to be more precise, earned—that appellation.” He was self-taught and “willed his way to his genius.” With joyous zest, Isaacson crafts a marvelously told story “of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical.” Like a child in a candy store, Isaacson often stops to exclaim; he shares his enthusiasm, and it’s contagious. For the author, the starting point are da Vinci’s notebooks, all 7,200 pages, the “greatest record of curiosity ever created.” Da Vinci’s groundbreaking, detailed drawings charted the inner worlds of the skull, heart, muscles, brain, birds’ wings, and a working odometer, along with doodles and numerous to-do lists. In his iconic Vitruvian Man, completed when he was 38 and struggling to learn Latin, “Leonardo peers at himself with furrowed brow and tries to grasp the secrets of his own nature.” Isaacson is equally insightful with the paintings, of which there are few. The Last Supper is a “mix of scientific perspective and theatrical license, of intellect and fantasy.” Regarding the uncompleted Mona Lisa, he writes “never in a painting have motion and emotion, the paired touchstones of Leonardo’s art, been so intertwined.” As Isaacson wisely puts it, we can all learn from Leonardo.
Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes.Pub Date: Oct. 17, 2017
ISBN: 978-1-5011-3915-4
Page Count: 576
Publisher: Simon & Schuster
Review Posted Online: Sept. 2, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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