A thoughtful novel that loses its dramatic energy.
In Dyson’s novel, an unlikely trio band together to save geese in New York City scheduled to be destroyed.
After a plane collides with a flock of geese, forcing it to make an emergency landing in the Hudson River, the local authorities decide to kill all the geese living near the airport. Tanisha, a student at Brooklyn Law School and a member of the activist group Goose Watch, is committed to saving them, a mission she understands is fraught with challenges. She finds a partner in Marty, a cranky but charming 73-year-old New Yorker who happens to own a sailboat, their means of investigating the site of the planned roundup near Kennedy Airport. Marty is initially unmoved by the birds’ plight; he confesses, “I’m not sure that I care for geese.” However, he is angry about Kennedy Airport’s construction, which led to the destruction of the local environment, a once-vibrant aquatic community (and Marty’s “playground” as a child) reduced to a “dead zone.” Dyson movingly contrasts the different motivations of Marty and Tanisha. “Marty thought of Tanisha and her fight to save the geese. He wondered how long she had wanted this. It couldn’t be more than a couple of years since US Airways Flight 1549 had landed in the Hudson River, and the roundups of geese had begun. His wish to see life come back to the dead zone had started 65 years ago, about 40 years before Tanisha was born.” Eventually, he comes to care for the geese as well and is inspired to hatch various plans to save them, a dedication that gets him trouble with the law and links the pair with Don, a former duck hunter now haunted by the death he once caused. The author ably paints a melancholic picture of a lost world and a city bureaucracy indifferent to the value of nature. The plot, however, unfolds at a lumbering pace and finally loses steam; this tale probably would have been better composed as a short story.
A thoughtful novel that loses its dramatic energy.Pub Date: May 1, 2021
ISBN: 978-0-578-87757-0
Page Count: 196
Publisher: Mighty Hamster Press
Review Posted Online: Sept. 20, 2021
Review Program: Kirkus Indie
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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