The late novelist John Gardner was also a longtime creative-writing teacher, and this small how-to book is addressed to "the beginning novelist who has already figured out that it is far more satisfying to write well than simply to write well enough to get published." Gardner begins by musing on the qualities needed to be a novelist: verbal sensitivity (though "the writer who cares more about words than about story. . . is unlikely to create a vivid and continuous dream"); a good eye; a storyteller's sort of "intelligence"; generosity of spirit; and "an almost demonic compulsiveness." Then, in a rather parochial chapter, Gardner examines "the benefits and dangers of going through a creative writing program"—with extended discussion of good vs. bad writers' workshops and a strong pitch for the rather sentimental workshop-notion of "community of writers." ("Even a bad workshop may be better than none.") A very brief section on "Publication and Survival" comes next, with comments on writer-relationships with publishers, agents, and family. ("Living off one's spouse or lover is an excellent survival tactic.") And finally there's a rambling sermon on having faith and avoiding writer's block, with rudimentary how-to. ("When you write a novel, start with a plan—a careful plot outline, some notes to yourself on characters and settings, particular important events, and implications of meaning.") Along the way, Gardner takes pot-shots at Barth and Updike—and refers to a few of his own novels and life-experiences by way of example; so Gardner aficionados might find a handful of rewarding pages. Otherwise: for creative-writing teachers (and budding novelists) only—and, even on those terms, a mixture of the helpful and the platitudinous.
Pub Date: May 25, 1983
ISBN: 0393320030
Page Count: 180
Publisher: Harper & Row
Review Posted Online: March 29, 2012
Kirkus Reviews Issue: May 1, 1983
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...
Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.
Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.Pub Date: Nov. 7, 2017
ISBN: 978-0-393-08905-9
Page Count: 656
Publisher: Norton
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
BOOK REVIEW
BOOK TO SCREEN
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