by John Gray ‧ RELEASE DATE: Oct. 1, 2007
Makes a discomfiting case that Western liberal democracy just is not suitable for much of the world.
Seeing history as a progressive narrative, especially one with a utopian ending, is a practice that has doomed earlier civilizations and threatens our own, argues Gray (European Thought/London School of Economics).
Having dealt with the concept of human progress in such previous books as Al Qaeda and What It Means to Be Modern (2003), the author sees no reason to revise his core belief: “Human knowledge tends to increase, but humans do not become any more civilized as a result.” He urges Western powers to adopt a political philosophy of realism. Look, he says, not at the Middle East you want to see—a cluster of none-too-peaceable kingdoms transformed by force into little democracies whose oil wells gurgle merrily to supply the West—but as it really is, a volatile place whose populations have always hated one another and probably always will. Gray spends lots of time painting the historical and philosophical background. He examines the apocalyptical aspects of Christianity and other religions, all of which in his view share a number of traits, most significantly the notion that the end is near. He takes a look at utopian communities of earlier times and notes that inhumane means have almost always been used to attempt to achieve humane ends. In a troubling chapter about the 20th century, Gray characterizes both Communists and Nazis as “children of the Enlightenment,” employing the “scientific” principles of economics and eugenics to justify their political goals. The English author has some harsh words for both Margaret Thatcher and Tony Blair (equally deluded, in his view), but he bashes Bush continually for reliance on “faith-based intelligence”—with Iraq serving as a compelling argument for the pitfalls of this approach. Throughout his impassioned text, Gray’s prose is thick with allusion and quotation, but even thicker with erudition and provocation.
Makes a discomfiting case that Western liberal democracy just is not suitable for much of the world.Pub Date: Oct. 1, 2007
ISBN: 978-0-374-10598-3
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2007
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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