A far-reaching and frequently contentious collection of the author's writings (previously published mostly in literary journals), ranging from scathing literary and social criticism to beautifully crafted nature essays, personal remembrances, and poems. Haines (The Stars, the Snow, the Fire, 1989, etc.) pulls no punches in assessing contemporary American poetry as lacking an instructive, moral critique of society, characterizing it instead as an art form ``of increasing isolation and narcissism'' resulting in ``the absence of a meaningful dialogue between the poets and their nation.'' In lambasting a roster of present-day poets and literary critics as either self-promotional, beholden to university bureaucracies, or simply poor writers, Haines indicates as modernist exemplars Yeats, Pound, and Robinson Jeffers. Nor is Haines sanguine about the society that spawns these conditions—a society removed from nature (from which, Haines avers, all ideas originate), and one subservient to a ``corporate mentality that would overturn every human value.'' For the reader who perseveres through these instructive but caustic essays, the rewards are some lovely prose writings set in rural Alaska, where Haines homesteaded in the late 1940s. Here one is treated to scenes of a basically untrammeled and dramatic landscape (although into these scenes of physical beauty, too, Haines laments the intrusion of a spiritless, corporate society) and well-drawn narratives of berry-picking and hunting. This compilation also contains a short selection of the author's poetry, with concise explanations of how their concepts, language, and forms were achieved. Scattered elsewhere, a reader can find some delicious nuggets about the relationship between nature, art, language, and religion, and a final, painful childhood memory of the writer's doomed first love. The writings gathered here are impressive in breadth, sometimes seething, and frequently lyrical. When taken together, they form a coherent philosophy of an uncompromising artist.
Pub Date: Feb. 1, 1996
ISBN: 1-55597-227-6
Page Count: 286
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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