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POETRY FOR YOUNG PEOPLE: ANIMAL POEMS

Name: POETRY FOR YOUNG PEOPLE: ANIMAL POEMS
Author: John Hollander
ISBN: 1-4027-0926-9

edited by John Hollander & illustrated by Simona Mulazzani ‧ RELEASE DATE: Jan. 22, 2005

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The newest volume in the Poetry for Young People series continues the format; Hollander gathers 34 short selections on a common theme—here, real animals, as opposed to the imaginary sort—and prefaces each with cogent comments on the poet and on images or references in the poem that might be unfamiliar to young readers. His choices range from such chestnuts as Lear’s “Owl and the Pussy-cat” and Blake’s “The Tyger” to Wallace Stevens’s “Earthy Anecdote,” verses from Marianne Moore to a chameleon, May Swenson on tourists viewing bison, and, to close, a lyrical, 900-year-old fragmentary lullaby from Greek poet Alcman. Mulazzani poses animatedly the creatures in her painted illustrations, against simplified natural backgrounds, and aside from misrepresenting the titular feline in Yeats’s “Cat and the Moon” as tiger-striped, sticks to literal interpretations. Despite notably inconsistent page design that even has the text of one poem (William Carlos Williams’s “Gulls”) switching from black to white in mid-course, this, like its predecessors, will help readers at least begin to understand what poetry is all about, without waxing too intrusively pedantic. (Poetry. 10+)

Pub Date: Jan. 22, 2005

ISBN: 1-4027-0926-9

Page Count: 48

Publisher: Sterling

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

Categories:

CHILDREN'S ANIMALS | CHILDREN'S POETRY

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SEE YOU IN THE COSMOS

by Jack Cheng ‧ RELEASE DATE: Feb. 28, 2017

Riveting, inspiring, and sometimes hilarious.

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If you made a recording to be heard by the aliens who found the iPod, what would you record?

For 11-year-old Alex Petroski, it's easy. He records everything. He records the story of how he travels to New Mexico to a rocket festival with his dog, Carl Sagan, and his rocket. He records finding out that a man with the same name and birthday as his dead father has an address in Las Vegas. He records eating at Johnny Rockets for the first time with his new friends, who are giving him a ride to find his dead father (who might not be dead!), and losing Carl Sagan in the wilds of Las Vegas, and discovering he has a half sister. He even records his own awful accident. Cheng delivers a sweet, soulful debut novel with a brilliant, refreshing structure. His characters manage to come alive through the “transcript” of Alex’s iPod recording, an odd medium that sounds like it would be confusing but really works. Taking inspiration from the Voyager Golden Record released to space in 1977, Alex, who explains he has “light brown skin,” records all the important moments of a journey that takes him from a family of two to a family of plenty.

Riveting, inspiring, and sometimes hilarious. (Fiction. 10-14)

Pub Date: Feb. 28, 2017

ISBN: 978-0-399-18637-0

Page Count: 320

Publisher: Dial Books

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

Categories:

CHILDREN'S ANIMALS | CHILDREN'S FAMILY

- BOOK REVIEW
THE MANY MASKS OF ANDY ZHOU
by Jack Cheng ; illustrated by Jack Cheng

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TOUCHING SPIRIT BEAR

by Ben Mikaelsen ‧ RELEASE DATE: Feb. 28, 2001

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Troubled teen meets totemic catalyst in Mikaelsen’s (Petey, 1998, etc.) earnest tribute to Native American spirituality. Fifteen-year-old Cole is cocky, embittered, and eaten up by anger at his abusive parents. After repeated skirmishes with the law, he finally faces jail time when he viciously beats a classmate. Cole’s parole officer offers him an alternative—Circle Justice, an innovative justice program based on Native traditions. Sentenced to a year on an uninhabited Arctic island under the supervision of Edwin, a Tlingit elder, Cole provokes an attack from a titanic white “Spirit Bear” while attempting escape. Although permanently crippled by the near-death experience, he is somehow allowed yet another stint on the island. Through Edwin’s patient tutoring, Cole gradually masters his rage, but realizes that he needs to help his former victims to complete his own healing. Mikaelsen paints a realistic portrait of an unlikable young punk, and if Cole’s turnaround is dramatic, it is also convincingly painful and slow. Alas, the rest of the characters are cardboard caricatures: the brutal, drunk father, the compassionate, perceptive parole officer, and the stoic and cryptic Native mentor. Much of the plot stretches credulity, from Cole’s survival to his repeated chances at rehabilitation to his victim being permitted to share his exile. Nonetheless, teens drawn by the brutality of Cole’s adventures, and piqued by Mikaelsen’s rather muscular mysticism, might absorb valuable lessons on anger management and personal responsibility. As melodramatic and well-meaning as the teens it targets. (Fiction. YA)