by John Hopkins ‧ RELEASE DATE: Feb. 16, 1998
A writer's perfunctory yet absorbing diary of his life in Tangiers. Lifelong ÇmigrÇ and novelist Hopkins (The Flight of the Pelican, 1984 etc.), fresh out of Princeton and convinced that Wall Street and the professions were not for him, jaunted around South America and Europe before finally pitching up in Morocco. There, on and off for 17 years, he pursued with gathering success his literary ambitions. Cheap, exotic, permissive, Morocco (especially Tangiers) was one of the places to be in the early '60s, especially for writers and artists and American millionaires. Now it all seems almost mythic, a great, outlandish American Bloomsbury. Hopkins delivers all the expected goodies and more: the requisite desert meditations (``This is what the desert does. It leaves you with a terrible nostalgia for the purity you left behind. That purity was you''), the kef-censed evenings in the kasbah, the celebrity sightings. Beyond the usual literary suspects such as his friends Paul and Jane Bowles and William Burroughs, we have everyone from Malcolm Forbes to Tennessee Williams to the Beatles. Though a graceful, laconic stylist, Hopkins is not a natural diarist. He lacks the necessary daily dedication, curiosity, and self-absorption. Months can pass between entries, creating any number of bothersome and confusing lacunae. And though he may have mingled with the rich and famous, Hopkins wastes no time elaborating. He is content, for example, merely to note that he attended a wild party where he met the Beatles, and leave it at that. Finally, in 1979, Hopkins made the difficult decision to leave Tangiers and move to England with his new, pregnant wife. It would be cold and gray, but at least he'd be closer to the English-language publishing worldwithout having to return to America. (photos, not seen)
Pub Date: Feb. 16, 1998
ISBN: 0-932274-50-1
Page Count: 244
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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by John Hopkins
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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