A drama in three parts, focusing on the conflict between New York's mayor Ed Koch and the homeless in the late 1980s. In June 1988, 30 homeless men and women decided to stay in City Hall Park after the organizers of an all-night vigil on their behalf had gone back to their homes and offices. Initially, they stayed because the weather was good and they had no place else to go. But over time, they got organized. By fall, the residents of ``Kochville'' had become a political force, a darling of the media, and a major irritant to irascible Mayor Koch. Jiler (Dark Wind, 1993) wrote about Kochville for the Village Voice, eventually becoming so engrossed in his story that, like an anthropologist, he moved in with the homeless in the park. This time around, Jiler puts Kochville into context, describing its rise and fall alongside that of Mayor Koch and of 850 Longwood Avenue, a Bronx apartment building symbolic of disastrous, heartless housing policies and trends that made homelessness nearly epidemic in New York City in the 1980s. Koch was the villain of the story in 1988, but Jiler now shows him as a complex man of both great strengths and self-destructive flaws, much like Kochville's home-grown leaders, Duke York and Larry Locke. An anthropologist would have told us how his own presence in the camp affected events and how he became privy to the private conversations and inner wrestlings that fill much of this book. But Jiler is a journalist and playwright, and his apparent intent is not just to chronicle a specific event but to construct a drama with universal lessons about characters who must war against both social forces and inner demons. A long-shot, winning trifecta for Jiler, who makes the reader care about each of his three protagonists: Ed Koch, the homeless, and 850 Longwood Avenue.
Pub Date: Sept. 1, 1997
ISBN: 1-886913-14-5
Page Count: 382
Publisher: Ruminator Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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