by John le Carré ‧ RELEASE DATE: May 1, 1986
The "perfect spy" in this bitter, stately le Carré novel—more character-study than thriller—is Magnus Pym, 50-ish, a senior spymaster for Britain, based in Vienna. . .but now, suddenly, disappeared, after returning to England for the funeral of his old father, Rick. Where has Pym gone? Is he a traitor on the run, a double-agent? Those are the questions that face Pym's aging mentor, Jack Brotherhood, and Pym's second wife, Mary (mother of their teen-aged son); they find themselves trying to defend Pyro to the powers, that-be, to their CIA allies—as evidence accumulates to suggest that smooth, charismatic Pyro, who masterminded a network of Czech informers, was indeed working for the Czechs all along. Meanwhile, however, the reader knows exactly where Pyro is: he is holed up in a south Devon coastal town, fussed over by a doting landlady in a Victorian boardinghouse, writing his elegant, ironic, spacious memoirs. And, in chapters that alternate with the Vienna-based sleuthing, Pyro-sliding with surprising ease between first-person and third-person narration—sets down "Word for word the truth. No evasions, no fictions, no devices. Just my overpromised self set free." He recalls above all father Rick, an irresistible, incorrigible con-man who used, betrayed, everyone who loved him—including wife Dorothy (who went mad), a lovely Jewish refugee named Lippsie (who committed suicide), and Pyro himself. Pyro remembers how, following Rick's example, he learned "to live on several planes at once," to cultivate surface charm; he sees himself as someone doomed to become a "divided city" from the start—doomed to forge new loyalties only to betray them, doomed always to serve two masters at once, "to pacify and reconcile." Indeed, Pyro recalls how he betrayed father Rick, how he betrayed the best friend of his youth, a Czech refugee named Axel. And, above all, Pyro recalls how, meeting Axel years later, when both of them had become spies (on opposite sides), it became impossible not to betray his country. . .rather than his friend. ("Does it amaze you that Pyro, by making bonds with the forbidden, should be once more escaping from what held him?") There's a modicum of tension here as the search for Pyro heats up: mentor Jack, after interviews with all of Pym's intimates, comes to believe that his protégé is indeed a traitor; wife Mary, after a chilling scene with Czech spymaster Axel (also in pursuit of Pyro), comes up with the clue that finally leads the British agents to Devon—for the grim, inevitable conclusion. And, in the first half, at least, there's a basic mystery to ponder: is or isn't Pym a traitor? But, to an even greater degree than in le Carré's previous spy novels, suspense takes second place here to psychological texture and morality-play dynamics. The result can be somewhat repetitious, not entirely convincing (Pym's self-psychoanalysis seems a bit simplistic), more than a little preachy. Still, if less masterly than either the Karla trilogy or The Spy Who Came In From the Cold, this is a much plainer, finer accomplishment than The Little Drummer Girl—while the long memoir sections allow le Carré to write his richest, most unabashedly Dickensian prose yet: occasionally self-conscious or precious, often stirring, magical, gravely joyous.
Pub Date: May 1, 1986
ISBN: 0143119761
Page Count: -
Publisher: Knopf
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: April 15, 1986
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by John le Carré ; edited by Tim Cornwell ; illustrated by John le Carré
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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