Sedate stuff from an actor and writer who is normally anything but.
Hyperactive monologist and character actor Leguizamo provides the narrated tour of his life.
It's difficult to reconcile this plain and tired string of well-rehearsed anecdotes with the livewire, mercurial actor who can always be counted on to spark up the screen or stage. Maybe he just put so much into his legendary biographical one-man shows that there was nothing left. Born in Bogotá to high-drama parents whose ethnic blend included Italian, Colombian, Native American and Lebanese, Leguizamo grew up in Queens and knew early on that he wanted to be a performer. As just one of many class clowns in high school, Leguizamo had to work hard to stand out—there was so much competition to sit at the funniest cafeteria table that he would start writing jokes the day before. A couple plays at the renowned Public Theatre led to a stereotypical part as a gangster on Miami Vice, just one of many compromises the aspiring actor had to make in the ’80s, a lean time for Latino performers: “You'd see the same guys at every audition: me, Benicio del Toro, Benjamin Bratt, Luiz Guzman.” More roles followed, as well as Leguizamo's one-man show, Mambo Mouth, the first of four semi-autobiographical shows that incorporated satirical skits and traded heavily on family drama. For fans, there is interesting material related to behind-the-scenes melodramas on movies like Moulin Rouge and Summer of Sam, and even bombs like Super Mario Brothers. But most of the engaging stuff has already been covered in his quartet of live shows, and there's little left to go over but some dully related and thinly conceived pronouncements on film and life that wouldn't sound out of place on a DVD commentary.
Sedate stuff from an actor and writer who is normally anything but.Pub Date: Nov. 1, 2006
ISBN: 0-06-052071-X
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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