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BOOK ONE

An intimate, powerfully revealing look at a crucial, complex time, through the eyes of a true American hero.

A companion to the award-winning, groundbreaking March graphic memoir series, this is the final work completed by Congressman Lewis before his death in July 2020.

What happened after the 1965 marches in Selma? Although segregation was no longer legal, America had not yet embraced true equality. Shortly after the passage of the Voting Rights Act of 1965, a six-day uprising took place in the neighborhood of Watts in Los Angeles, with similar protests in Chicago. (Readers will likely note parallels between these events and the 2020 protests.) With welcome frankness, Lewis recounts his tenure as chairman of the Student Nonviolent Coordinating Committee, being at odds with organizations like the NAACP and the Urban League, the repercussions of SNCC’s public stances against the Vietnam War and apartheid in South Africa, and the generational divide within SNCC. Lewis questioned his own effectiveness as a leader (and was eventually ousted), but his focus throughout the book is on the hundreds of unsung individuals who undertook the sometimes-deadly work that Black voter registration and other grassroots social justice efforts demanded. Compelling art perfectly captures the tension and terror of these troubled times, as told from Lewis’ memory with the backing of scholarly works and research.

An intimate, powerfully revealing look at a crucial, complex time, through the eyes of a true American hero. (biographies, notes, sources, from the artist, about the authors, co-author’s note) (Graphic memoir. 12-adult)

Pub Date: Aug. 3, 2021

ISBN: 978-1-4197-3069-6

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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A QUEER HISTORY OF THE UNITED STATES FOR YOUNG PEOPLE

Though not the most balanced, an enlightening look back for the queer future.

An adaptation for teens of the adult title A Queer History of the United States (2011).

Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.

Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)

Pub Date: June 11, 2019

ISBN: 978-0-8070-5612-7

Page Count: 336

Publisher: Beacon Press

Review Posted Online: March 12, 2019

Kirkus Reviews Issue: April 15, 2019

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A LITTLE HISTORY OF THE WORLD

Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a...

A lovely, lively historical survey that takes in Neanderthals, Hohenzollerns and just about everything in between.

In 1935, Viennese publisher Walter Neurath approached Gombrich, who would go on to write the canonical, bestselling Story of Art, to translate a history textbook for young readers. Gombrich volunteered that he could do better than the authors, and Neurath accepted the challenge, provided that a completed manuscript was on his desk in six weeks. This book, available in English for the first time, is the happy result. Gombrich is an engaging narrator whose explanations are charming if sometimes vague. (Take the kid-friendly definition of truffles: “Truffles,” he says, “are a very rare and special sort of mushroom.” End of lesson.) Among the subjects covered are Julius Caesar (who, Gombrich exults, was able to dictate two letters simultaneously without getting confused), Charlemagne, the American Civil War, Karl Marx, the Paris Commune and Kaiser Wilhelm. As he does, he offers mostly gentle but pointed moralizing about the past, observing, for instance, that the Spanish conquest of Mexico required courage and cunning but was “so appalling, and so shaming to us Europeans that I would rather not say anything more about it,” and urging his young readers to consider that perhaps not all factory owners were as vile as Marx portrayed them to be, even though the good owners “against their conscience and their natural instincts, often found themselves treating their workers in the same way”—which is to say, badly.

Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a fine conception and summarizing of the world’s checkered past for young and old.

Pub Date: Oct. 11, 2005

ISBN: 0-300-10883-4

Page Count: 320

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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