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THE SHRINE AT ALTAMIRA

The latest by the author of An Honorable Profession (1991), etc., takes its cue from the most gruesome of headlines—the sort of story that forces us to contemplate the nature of evil. But L'Heureux's prologue, with its talk of ``we'' (i.e., civilized readers) and ``they'' (i.e., those lower-class types who commit such heinous crimes), suggests how difficult it is for him to get inside his characters, to transcend sociological explanations for their behavior. Mexican-American Maria Alvarez, a dark teenaged beauty, thinks that blond and blue-eyed Russell Whitaker is her ticket out of the ``hot and dirty and hopeless'' San Jose ghetto. But Russell, the son of a violent alcoholic, is incapable of breaking the cycle of abuse that has literally scarred him for life. A reluctant husband, Russell soon develops an all-consuming passion for his bride, finding ``salvation'' in her eyes. When a son arrives and Maria turns her full attention to the beautiful boy, Russell becomes ``weak and needy,'' given to drunken outbursts. Before she allows herself to join in the decline, Maria loses weight, goes back to school, gets a good job, and files for divorce. Meanwhile, Russell hits bottom, living on the streets until his obsession with his ex- wife leads to an act so horrifying that we'd reject it as implausible if it hadn't in fact happened in recent times—Russell, in a fit of trancelike anger, sets his young son on fire. From there on, the novel balances the sad tale of young John's long and painful recovery with the predictably awful experiences Russell endures in jail. A number of side stories clutter a novel that already leaps forward too quickly in time. And the big questions about guilt, salvation, God's will, etc., all seem grafted onto a melodramatic (though gripping) plot. The ``terrible'' thought L'Heureux warns us about is not all that original—that evil has a human face and is committed by ordinary people. Despite the banal notions and bland prose, the incendiary subject makes this novel both painful and poignant.

Pub Date: April 1, 1992

ISBN: 0-670-84326-1

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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