An intriguing glance at a complex and countercultural personality.
The tempestuous life of 20th-century America’s archprogressive, Dorothy Day (1897-1980).
Loughery (Dagger John: Archbishop John Hughes and the Making of Irish America, 2018) and Randolph (Amelia Earhart, 1990, etc.) provide a serviceable and largely balanced look at one of America’s most complex and socially influential figures. The authors begin with a protracted exploration of Day’s young adulthood, a period rife with cross-county moves, love affairs, and interactions with World War I–era radicals. Her development as a writer, thinker, and activist is intertwined with sometimes-salacious tales of her relationships with intelligent but immature men who too often caused her great pain. Eventually, Day’s plunge into Catholicism redirected her passions while confusing her friends and family. The authors move on to discuss Day’s encounter with mystic wanderer Peter Maurin and the ensuing creation of the Catholic Worker, at once a publication, a collection of communal homes, and a way of life. Moving through the militant 1930s and the desperate 1940s, the authors do a good job of locating Day’s life and work in the midst of a wide variety of colorful characters and contentious controversies. Day was a polarizing figure seemingly with everyone: the church, the government, and fellow activists alike. This reality did not abate as the century matured, though Day’s name moved on from being an FBI target to having near-celebrity status. Though Loughery and Randolph’s work does not provide the personal depth of Kate Hennessy’s exceptional Dorothy Day: The World Will Be Saved by Beauty (2017), they do provide an excellent record of Day’s involvement in the progressive circles of her time. The authors touch on countless personalities within Day’s sphere of influence and use her as a focal point in their exploration of issues ranging from homelessness to homosexuality and historical events ranging from Sacco and Vanzetti to the Spanish Civil War.
An intriguing glance at a complex and countercultural personality.Pub Date: March 3, 2020
ISBN: 978-1-982103-49-1
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
A courageous and thought-provoking memoir.
A bestselling memoirist’s account of coping with an unexpected midlife evolution in sexual identity.
When Wizenberg, who runs the popular Orangette blog, received a jury duty summons, she never thought that it would lead to divorce. In court, her eyes were immediately drawn to a female defense attorney dressed in a men’s suit. Her thoughts lingered on the attractive stranger after each day’s proceedings. But guilt at being “a woman wearing a wedding ring” made the author feel increasingly guilty for the obsession that seized her. Her husband, Brandon, a successful Seattle restaurateur, and their daughter were the “stars” that guided her path; the books she had written revolved like planets around the sun of their relationship and the restaurants they had founded together. However, in the weeks that followed, Wizenberg shocked herself by telling her husband about the attraction and suggesting that they open their marriage to polyamorous experimentation. Reading the work of writers like Adrienne Rich who had discovered their lesbianism later in life, Wizenberg engaged in deep, sometimes-painful self-interrogation. The author remembered the story of a married uncle, a man she resembled, who came out as gay and then later died of AIDS as well as a brief lesbian flirtation in late adolescence where “nothing happened.” Eventually, Wizenberg began dating the lawyer and fell in love with her. Wizenberg then began the painful process of separating herself from Brandon and, later, from their restaurant businesses that she had quietly seen as impediments to her writing. Feeling unfulfilled by Nora, a self-professed “stone top” who preferred to give pleasure rather than receive it, Wizenberg began to date a nonbinary person named Ash. Through that relationship, she came to embrace both gender and sexual fluidity. Interwoven throughout with research insights into the complexity of female sexual identity, Wizenberg’s book not only offers a glimpse into the shifting nature of selfhood; it also celebrates one woman’s hard-won acceptance of her own sexual difference.
A courageous and thought-provoking memoir.Pub Date: May 12, 2020
ISBN: 978-1-4197-4299-6
Page Count: 256
Publisher: Abrams
Review Posted Online: Feb. 16, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
Graceful and deeply felt.
A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.
The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.
Graceful and deeply felt.Pub Date: May 8, 2006
ISBN: 0-15-101350-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
