McWhorter’s cri de coeur is a vital statement in America’s ongoing conversations about race.
A far-reaching, full-throated polemic against “Third Wave Antiracism.”
McWhorter, a professor of linguistics, American studies, and music history at Columbia, has been a prominent figure in the public discourse around race since he published Losing the Race in 2000. But nothing he has said or written previously has been as controversial as the thesis he advances in his latest book. Flying in the face of mainstream liberal orthodoxy, McWhorter writes in unapologetic opposition to the brand of anti-racism that authors like Ibram X. Kendi and Robin DiAngelo have made so popular in recent years. At the core of McWhorter’s critique is his claim that wokism (or “Electism,” as he wants us to call it) has literally become a religion. It demands adherence to positions that one must accept on faith or else be treated as heretical (i.e., “problematic”). McWhorter is well aware that his arguments may be dismissed out of hand, but he is cogent and forthright in his discussions. “You see Third Wave antiracism telling you that you are morally bound to conceive of ordinary statements that once were thought of as progressive, like ‘I don’t see color,’ as racist,” he writes. “That if you are white you are to despise yourself as tainted permanently by ‘white privilege’ in everything you do.” The author attempts to turn from the vogue anti-racism of our era to earlier forms of anti-racism that don’t “make black people look like the dumbest, weakest, most self-indulgent human beings in the history of our species, and teach black people to revel in that status and cherish it as making us special.” This is a passionate, often fiery book, but it is also seriously considered and scrupulously reasoned. Whether or not readers are persuaded by McWhorter’s analysis, they must, in the name of intellectual honesty, consider the book mandatory reading.
McWhorter’s cri de coeur is a vital statement in America’s ongoing conversations about race.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-42306-6
Page Count: 224
Publisher: Portfolio
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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