by John Sandford ‧ RELEASE DATE: May 15, 2007
The villains are cartoon monsters, but Sandford unfolds his unlikely tale with a pro’s command of pace, mixing his pitches...
Lucas Davenport goes up against a pair of antiques thieves who kill for love and money.
The crime scene—a posh St. Paul house trashed, electronics hardware looted, important jewelry untouched—indicates that wealthy Constance Bucher and her maid were the victims of opportunistic thieves, maybe kids, who bashed them to death for no good reason. But Lucas, aided by the sharp observations of his suspect, the maid’s nephew, gets a hint of something more organized and sinister: a criminal conspiracy that may stretch back to a similar theft and murder in Chippewa Falls four years ago, and broaden to include a fraudulent set of quilts that were sold to area museums even though they weren’t quite museum quality. Lucas’s chances of spotting the killers, antiques dealers Leslie and Jane Little Widdler, who use murder as foreplay, are seriously compromised by the fact that he’s using them as expert consultants on the case. But even as they’re hiding in plain sight, they can feel the unwitting Lucas breathing down their necks. So they look around for a distraction and come up with a honey. The other big case Lucas has in hand is the ambitious Minnesota State Senate president’s admitted romance with Kathy Barth and his alleged liaison with her daughter Jesse, 16. If only something could happen to Jesse, reason the Widdlers. When their scheme creates some unexpected blowback, they methodically turn their minds to getting rid of each other. It sounds as if things will be almost too easy for Lucas (Broken Prey, 2005, etc.), but Sandford still has a few surprises in store en route to the satisfyingly vengeful conclusion.
The villains are cartoon monsters, but Sandford unfolds his unlikely tale with a pro’s command of pace, mixing his pitches like an All-Star.Pub Date: May 15, 2007
ISBN: 978-0-399-15421-8
Page Count: 430
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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