Once intriguingly controversial, Spong is now tediously irrelevant.
Tiring attack on the “ancient, sacred, and mythological book we call the Bible.”
Though former Episcopal bishop Spong (Eternal Life: A New Vision, 2009, etc.) claims to have had a “longtime love affair” with the Bible, it is hard to see that in this book-by-book attack upon the Old and New Testaments. The author makes it clear that he sees the Bible as at best a collection of heavily edited myths and allegories, at worst an outright lie. Spong’s stated purpose of introducing modern higher criticism of the Bible to ordinary readers seems laudable, but he fails to pull it off. He does not effectively introduce biblical criticism to those who might actually believe the Bible. Instead of building a bridge of understanding, he challenges readers to leap across a canyon from ignorance to enlightenment. Spong shows no interest in compromise; rather, he judges as deluded or silly those readers who believe that anything in the Bible is literal or based on historical fact. The author doesn’t seem to comprehend or care that the world is far from “non-religious,” and his book is geared toward those who are already at the cusp of disbelief. Though many of his ideas are already well-known arguments, Spong also includes theories of his own—e.g., the Apostle Paul was “a deeply repressed gay man”; basically nothing in the Gospel of John should be taken literally. The author is so lost in refuting scripture that he has forgotten what that scripture’s tie to real people even is.
Once intriguingly controversial, Spong is now tediously irrelevant.Pub Date: Nov. 8, 2011
ISBN: 978-0062011282
Page Count: 432
Publisher: HarperOne
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Nov. 1, 2011
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
In the latest leg of an idiosyncratic intellectual journey, Pellegrino looks at the stories of the Old Testament through the lenses of genetics, paleontology, and archaeology. Pellegrino (Unearthing Atlantis, 1990, etc.) has an autodidact's omnivorous curiosity to match his high-flying imagination. In this new hodgepodge, he expands on the speculations he put forward in his previous expedition into antiquity, in which he hypothesized that the volcano-buried Minoan city of Thera was the inspiration for the legendary Atlantis. Here he conjectures that when an eruption in the second millennium b.c. obliterated the Minoan civilization, its long-distance effects may have been responsible for the plagues of Egypt and the Aegean diaspora that brought the Philistines to Canaan. He also annexes other theories having to do with the contentious ``Mitochondrial Eve'' hypothesis (based on mitochondrial DNA research, it theorizes that genetic the mother of us all lived between 250,000 and 140,000 b.c.) and the Ark of the Covenant's wanderings. Using diverse scientific sources and historical perspectives—Sumerian clay tablets, Egyptian steles, the writings of Herodotus, and, naturally, the Bible—he ``telescopes'' anthropological and archaeological theories to fit Biblical myths like those of Noah and Nimrod, compressing patterns of history into oral tradition's legends. With a natural sense of storytelling, he blends theories of antiquity with the adventures of field work: He is best describing the modern difficulties of conducting digs in Gaza, Jericho, and Iraq (where he radically situates the Biblical Cities of the Plain destroyed by God's wrath). There is, however, a good deal of padding by this accidental archaeologist: reconstructed dialogue, digression, repetition, and flights of fancy that leave solid ground far below. For all its interdisciplinary breadth and originality, this reads like a beery breeze-shooting session with a college prof. (16 pages of b&w drawings, maps, not seen) (Author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-679-40006-0
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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