Next book

FINDING MY HAT

Poetic, memoir-style vignettes tell the story of Jin-Han’s life from toddlerhood to early adolescence. When a gusty Chicago wind sweeps away two-year-old Jin-Han’s acorn-shaped hat, the first-person narration—this is an entry in the First Person Fiction series—is a child’s-eye view infused with an older gaze. This voice continues until Jin-Han reaches junior high, when his first crushes and dawning sexual feelings make the narration more solidly integrated—and suddenly funny. His Korean immigrant parents move the family from Chicago to Memphis to Dallas trying to earn a living, and Jin-Han wends his way between kimchi and Tolkien, between the simple spoken Korean that he understands and the fast adult Korean that he doesn’t. The gentle role of hats on the literal level holds a surprising and deep metaphor for the careful reader. This quiet story shows how unembellished observation can be quite moving, from hats lost in the wind to a shocking and powerful event at the end. (author’s note, glossary) (Fiction. YA)

Pub Date: Oct. 1, 2003

ISBN: 0-439-43538-2

Page Count: 192

Publisher: Orchard/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

Awards & Accolades

Likes

  • Readers Vote
  • 13


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

SISTERS IN THE WIND

A powerful story of family, belonging, and identity interlaced with thriller elements.

Awards & Accolades

Likes

  • Readers Vote
  • 13


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A wary teen wonders if she should run when people come looking for her.

Lucy Smith was raised by her white father, who said little about her mother. Following his death and her stepmother’s abandonment, Lucy entered the foster care system at 14. Her stepmother revealed that Lucy’s birth mom was Native American, but her social worker urged her to keep that quiet. Battered by her time in the foster care system, it’s no wonder that 18-year-old Lucy is cautious when she’s approached by a man who says he’s an attorney who helps Native American foster kids connect with their families and communities. He introduces her to a friend who reveals to Lucy that she knows her Ojibwe maternal relatives—but a wary Lucy refuses her offer to learn more. Someone is stalking her, after all, and the FBI is investigating the bomb that went off in the diner where she worked—an event she’s sure targeted her. This stand-alone from bestseller Boulley, who’s an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, includes characters her fans will recognize from previous works. The action scenes are mediated by ruminations on the failings of the foster care system and strong portrayals of Lucy’s relationship with her father and her complicated identity. Ardent book lover Lucy is a sympathetic narrator whose strong sense of justice is coupled with a deep acceptance of others.

A powerful story of family, belonging, and identity interlaced with thriller elements. (content warning, author’s note) (Thriller. 14-18)

Pub Date: Sept. 2, 2025

ISBN: 9781250328533

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 57


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Awards & Accolades

Likes

  • Readers Vote
  • 57


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Close Quickview