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LOVE, LIZZIE

A suspenseful revelation of hidden family history and a celebration of female empowerment.

In Zaiss’ multigenerational novel, a divorced, lonely woman investigates a mysterious figure in a photo she discovered while handling her father’s estate.

The story begins with a diary entry dated 1952. A woman named Emma Hoskins uses a false name, Lizzie, to tell a story of grieving a miscarriage. In her early 20s, Emma became pregnant despite being advised not to do so, as she once had rheumatic fever that left her with serious heart disease; having children wasn’t just ill-advised, it was likely to make her condition worse. She says that her husband, Frank Hoskins, “has little sympathy” and thinks that “having a family is still in the cards for us”; however, Emma records in her diary that she’s “not taking that chance again.” The narrative then shifts to 2003: Maddie Hoskins, a 35-year-old divorced and childless insurance claims adjuster, is at her recently deceased father Frank Hoskins’ house in California. Her mother, Theresa, and younger brother, Adam, died before him, so Maddie now finds herself all alone in the world. While going through Frank’s papers, she discovers a photo of a beautiful woman with the notation “My Emma, Summer 1946.” Maddie returns to her Las Vegas home and solicits the help of an investigator at her firm to find out more about Emma. The novel intercuts Maddie’s 2003 discoveries with Emma’s 1950s diary entries; the latter, along with other expository narrative, brings to light how Frank came into Emma’s life in Nebraska and show the ramifications of her becoming pregnant for a second time.

Zaiss has crafted a page-turner that not only spurs readers’ interest in finding out what happened to Emma, but also offers multidimensional portraits of other major characters. Emma’s mother, for instance, is described at one point as being “somewhat mechanical...like she’s following an instruction manual requiring precise compliance,” and the author offers engaging insight into this demeanor as the character steps up to assist her daughter through a life-changing decision. Frank, who’s villainous at times, receives a backstory that believably underpins his actions. Emma’s second pregnancy, however, is the novel’s stunning dramatic centerpiece. Zaiss presents a woman navigating a shaky and sometimes-frightening marriage and dealing with male doctors who may or may not be right about how to handle her condition; the book also addresses the stringent rules surrounding when and how women could obtain abortions during this era. The novel also portrays other marriages, including, thankfully, some good ones, such as that of Emma’s best friend, Patsy. Another important figure initially resists Maddie’s attempts at connection due to her own pain and harrowing backstory. The novel goes down some less-interesting byroads; Maddie’s descriptions of the rather mundane unraveling of her own marriage, for example, are eclipsed by Emma’s more striking account. Still, Maddie’s determination to find the truth brings the novel to a touching, healing conclusion, with Maddie realizing that Emma “has triggered in me a deeper appreciation, a conviction, that my life matters.”

A suspenseful revelation of hidden family history and a celebration of female empowerment.  

Pub Date: Nov. 16, 2022

ISBN: 9798987241905

Page Count: 320

Publisher: Self

Review Posted Online: Jan. 5, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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