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SMART FELLER FART SMELLER

AND OTHER SPOONERISMS

From anagrams (Elvis Lives!, 2000) and palindromes (Palindromania!, 2002), Agee moves to a more rudimentary form of wordplay, pairing spoonerisms framed as questions and answers (“What did Rapunzel say to the filthy giant?” “You need to shake a tower”) with literal, simply drawn ink-and-wash visual interpretations. The author opens with a brief introduction to William Archibald Spooner, and closes with superfluous “translations” of each punch line. His humor in these 28 examples is sometimes crude (see title, which answers, “What did the cowboy say to the rocket scientist?”), and, as in Shel Silverstein’s Runny Babbit (2005), the joke definitely wears thin—but readers of the target mentality may be tempted to rake the tall and bun with it. (Nonfiction. 6-8)

Pub Date: April 1, 2006

ISBN: 0-7868-3692-X

Page Count: 64

Publisher: Michael di Capua/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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THE BRAIN IS KIND OF A BIG DEAL

A good overview of this complex, essential organ, with an energetic seasoning of silliness.

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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  • New York Times Bestseller


  • Caldecott Honor Book

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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

Awards & Accolades

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  • New York Times Bestseller


  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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