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BENEATH CRUEL WATERS

A powerful family melodrama drenched in sadness and guilt with hints of redemption.

Two violent deaths in the same spot 34 years apart bookend an American family horror story from the heartland.

In 2018, Vivian Davidson returns to the ruin of the house in Thompsonville, Colorado, where she shot former lover Ruben Ray to death back in 1984, to hang herself. Why did she kill Ruben, and why did she wait so long after getting away with murder to kill herself? These are only the first of the many questions that torment Holt Davidson, the son who pulls himself away from his job as a firefighter in Topeka to come to her funeral after learning of his mother's death from her best friend, police widow Joyce Brandt. It’s a small service, attended mostly by Pastor Boswell and Vivian’s fellow congregants from the First Lutheran Church. Vivian’s brother, musician Bobby Hartwick, isn’t there because he’s playing on the road somewhere, and Holt’s older sister, Ophelia Davidson, isn’t there because she’s staying in a halfway house after long years of institutionalization following a breakdown. Looking through his mother’s house in search of answers, Holt finds several things—a handgun, a Polaroid shot of the dead Ruben, an unsigned love letter—that raise even more questions, and he sets out in dogged pursuit of the truth. Each damning new confession he wrings from the people connected to the two fatalities attempts to paper over the even more shocking revelations to come, and each of these revelations brings new grief. No wonder Holt tells Joyce: “I should stop digging. Before it’s too late.” But it’s already too late.

A powerful family melodrama drenched in sadness and guilt with hints of redemption.

Pub Date: May 10, 2022

ISBN: 978-1-79993-888-0

Page Count: 256

Publisher: Blackstone

Review Posted Online: Feb. 4, 2022

Kirkus Reviews Issue: March 1, 2022

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LOCK EVERY DOOR

Lacking in both thrills and chills.

Another homage to classic horror from a bestselling author.

Sager’s debut novel, Final Girls (2017), wasn’t so much a horror novel as a commentary about horror movies in novel form. It was clever but also very well-crafted. The author tried to do something similar with The Last Time I Lied (2018), with significantly less satisfying results. This new novel is another attempt to make the model work. Whether or not it does depends on how invested one is in formula for the sake of formula. Jules Larsen is getting over a breakup and the loss of her job when she finds a gig that seems too good to be true: The Bartholomew, a storied Manhattan building, wants to pay her thousands of dollars to simply occupy a vacant—and luxurious—apartment. Jules soon gets the feeling that all is not as it seems at the Bartholomew, which is, of course, a perfect setup for some psychological suspense, but the problem is that there is little in the way of narrative tension because Jules’ situation is so obviously not right from the very beginning. While interviewing for the job, she's asked about her health history. She's informed that she is not allowed to have guests in the apartment. She's warned that she must not interact with or talk to anyone else about the building’s wealthy and famous inhabitants. And she learns that she will be paid under the table. While this might not be enough to deter someone who is broke and desperate, it does mean that Jules should be a bit more concerned than she is when the really scary stuff starts happening. It’s possible to read this as a parody of the absurdly intrepid horror heroine, but, even as that, it’s not a particularly entertaining parody. Jules’ best friend makes a reference to American Horror Story, which feels less like a postmodern nod than a reminder that there are other, better examples of the genre that one could be enjoying instead.

Lacking in both thrills and chills.

Pub Date: July 2, 2019

ISBN: 978-1-5247-4514-1

Page Count: 384

Publisher: Dutton

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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