An immersive, gritty, and engaging dive into a place where tenderness rarely shows its face.
Boilard’s literary novel follows a troubled young artist in a tough New England town.
The year is 1985. Junior Beauchamp lives in a rough-and-tumble burg in rural Massachusetts; this is a place where incidents like bar fights are a regular occurrence. Junior lives with his mother Amber Lee and his brother JP. Junior’s father is dead, and Amber Lee turns to sex work to help pay the bills. One day, Junior forces a roofer named Rick James McGee off the roof of their rented home after JP’s friend Tish complains of an episode with McGee. The roofer, who is “a true scumbag, a serial pedophile,” falls to his death. Junior hides the evidence well, but his deed could easily catch up with him. Luckily for him, there are plenty of other crimes going on around town, such as the local pharmacist engaging in illicit activities like pushing unprescribed pills. Junior is not just some local hooligan—underneath his tough exterior he is a talented artist who might just make it to art school one day—but his life only grows more complicated when Amber Lee goes missing, leaving her sons to fend for themselves in this place where hostility is the norm. Boilard effectively transports readers to this setting where townies seem willing to fight over just about anything, though the roughness can be laid on a little thick at times; when people have names like “Texas Two Step” and they frequent places like the “Bloody Brook Bar,” they seem destined to live out a fairly predictable cycle of trouble. (Even the streets have tough names, like “Grist Mill Road.”) Nevertheless, the author convincingly brings it all to life, particularly in the subplot in which Amber Lee goes missing. Her little adventure, marked by a Satanist, an aging hippie, and an iron will to survive, will certainly keep readers guessing about where she, and the rest of her family, will ultimately land.
An immersive, gritty, and engaging dive into a place where tenderness rarely shows its face.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Feb. 8, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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