by Jon Lee Anderson ‧ RELEASE DATE: Dec. 1, 1992
The bloody world of the modern revolutionary, as seen by free- lance writer (Harper's, etc.) and documentary filmmaker Anderson. Basing his report on firsthand observation, Anderson describes the life, if you can call it that, of five different guerrilla groups, each with its particular coloration. The Polisario of Western Sahara, trapped inside a 1500-mile-long wall built by the invading army of King Hassan II of Morocco, control every aspect of their peoples' lives with ruthless efficiency. The FMLN of El Salvador, by contrast, favor romantic excess in the form of bad poetry and liberal sex. The Afghani mujahedin recite the Koran and stone adulterers to death. And while Palestinians in the Gaza Strip mythologize their movement's origins, the Karen of Burma have no use for ideology, fighting a purely ethnic war for independence. Enough common elements do crop up, however, for Anderson to paint an overall portrait of guerrillas as an international tribe of violence-prone outcasts. With the exception of the FMLN, battles are waged only by men, with women kept outside the power structure. Children often play a role: Anderson chillingly describes kids in El Salvador assembling rocket-propelled grenades. Fear, oppression, and death are everyday events. Compensation comes by way of romanticizing the past and future, and by casting the struggle in religious terms, with fallen warriors as martyrs. The focus here is on individual guerrillas as they make love, build families, set out to slit throats. But the movements are communal and, within each group, shared histories become ``the repositories of their cultural identity, as essential...as the weapons with which they fight.'' While Anderson keeps a neutral stance, his evidence does not, suggesting that the guerrilla life is more Boschian than beatific. It took guts to research and write this; relentlessly grim— not through Anderson's fault, since he does a superb reporting job- -it's no picnic to read either.
Pub Date: Dec. 1, 1992
ISBN: 0-8129-2085-6
Page Count: 288
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1992
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by Jon Lee Anderson ; illustrated by José Hernández
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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