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MOO SAID MORRIS

Though the interactive features are nondescript, this sweet, simple story may spur a valuable conversation or two about...

This tiny tale about individuality aims to encourage kids to be exactly who they are—without apology.

Morris, a diminutive mouse, doesn’t squeak like the others. In fact, he doesn’t squeak at all. One might say he’s multilingual. Morris is a one-mouse barnyard, making the sound of a different animal (as well as a couple of other objects) every time he opens his mouth. With each “quack,” “vroom” or “cock-a-doodle-doo,” his fellow rodents become increasingly determined to fix him. They’re definitely not comfortable with his abnormal way of communicating. All the while, Morris doesn’t seem fazed; he just keeps on being…Morris. Tactile interactions are minor, mostly triggering slight animations. Little ones can find and collect cheese wedges to unlock a “record” feature, which allows them to do voice-overs on the sounds. Once the recordings are complete, readers have two versions of the story: the original and a personalized edition that inserts the recordings into the narrative (hint: recording begins after the countdowns, not before). At the end of the story, a cat shows up; when Morris barks like a dog, the cat scampers away, never to return. Suddenly, his quirky linguistic style is seen as an asset, and he wins the affections of his former detractors.

Though the interactive features are nondescript, this sweet, simple story may spur a valuable conversation or two about nonconformity.   (Requires iOS 6 and above.) (iPad storybook app. 3-6)

Pub Date: Feb. 11, 2014

ISBN: N/A

Page Count: -

Publisher: Digital Leaf

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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HOW TO CATCH AN ELF

From the How To Catch… series

A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)

Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.

The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)

A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)

Pub Date: Oct. 4, 2016

ISBN: 978-1-4926-4631-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Oct. 11, 2016

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