by Jon Raymond ‧ RELEASE DATE: May 1, 2012
What happens to Damon, a capable man, as he discovers his talents are wholly unsuited to the stable and sustainable life he...
The plaid vibe and rainy weather of contemporary Portland, Ore., is the backdrop for Raymond’s second novel, about the quest for love, authenticity and organic produce.
When the book begins, Amy and Damon are lost, and at a loss. They find themselves in a cul-de-sac in the outer suburbs of Portland when they should be on an on-ramp to the freeway. This dilemma is given figurative form in the debate they begin about an owl perched on a jungle gym, a traditional symbol of wisdom that appears on the first page of a book filled with unwise characters. The Rain Dragon of the title is an organic cooperative of hardy soul, occupying the grounds of a former poor house and producing yogurt, honey, soap, flowers—the produce as diverse as the people. Amy and Damon are drawn north from L.A. to this place, hoping to cure their malaise. The book focuses on Damon, who discovers that things are not all that different in the land of yogurt and honey than they were amongst the palms, exhaust and plastic surgery. Damon’s evolution parallels his relationship with Peter, the co-op’s charismatic founder. As Damon is drawn into Peter’s orbit, voluntarily doing the dirty work for a company with an improbably changing mission, he begins to realize why he undertook this journey north in the first place.
What happens to Damon, a capable man, as he discovers his talents are wholly unsuited to the stable and sustainable life he desires? The book’s most compelling question remains open, inconclusive and as unsettled as the characters’ lives.Pub Date: May 1, 2012
ISBN: 978-1-60819-679-1
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
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by Ruth Ware ‧ RELEASE DATE: July 19, 2016
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Sept. 16, 1987
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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by Toni Morrison edited by David Carrasco Stephanie Paulsell Mara Willard
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SEEN & HEARD
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