A wordless, singing infusion of love and energy into a home.
In this wordless tale, a chosen family forms.
As a child washes breakfast dishes, their harried grandparent exits the kitchen directly into a general store, revealing that they live in rooms behind their shop. Upstairs, a rental apartment sits empty, rejected by prospective tenants, until a new couple looks past its grubby, run-down state. With elbow grease and enthusiasm, they fix peeling wallpaper, cracking plaster, and cabinets hanging off hinges. They also give the shop’s exterior a new coat of paint and share in running it, easing the grandparent’s workload and spirits. A new family of four is born. Leng uses unbordered panels, sometimes full-page, sometimes small and square, sometimes horizontal. Her ink-and-watercolor paintings are gentle and dreamy, with a real beating heart. Child and grandparent are White; the new family members are an interracial couple, one brown-skinned (long hair, billowy skirt), one Asian-presenting (short hair, jeans). A few carefully placed pride rainbows make queerness explicit: a barely noticeable rainbow belt; a rainbow hat, tiny in a distance shot; and, finally, an unmistakable (and unprecedented for this shop) rainbow flag hanging outside the business at the very end. Careful readers may deduce that the Asian tenant is a transgender man, signaled through an extremely subtle plot point. Poverty and the child’s early loneliness are subtle too, but warmth never is.
A wordless, singing infusion of love and energy into a home. (Picture book. 4-8)Pub Date: Jan. 5, 2021
ISBN: 978-1-5362-0147-5
Page Count: 49
Publisher: Candlewick
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
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