A sweet book that needs a little more oomph to make it a big hit.
A little one tries to imagine himself big in this picture-book treatment of sibling dynamics.
A little child longs to be big like his brother but fails at attempts to lift his sibling’s backpack and to reach the cookie jar. These small defeats prompt him to imagine that he’s as tall as a giraffe, with hands as big as a gorilla’s and a mouth as big as a crocodile. Through first-person narration, he imagines what such attributes would empower him to do, but he also realizes that he’d miss out on other things if he were big—like rides in the red wagon, playtime in his playhouse, and after-dinner stories from that big brother of his. Such self-awareness seems developmentally out of step with the very young age of the narrator, however emotionally satisfying it may feel. Throughout the book the watercolor-and-pencil art outshines text as the story progresses and the big brother scares the little one, only to have roles reverse. The boys play together in the end, their littleness emerging as a boon when they appear underneath a makeshift fort of blankets and chairs and such.
A sweet book that needs a little more oomph to make it a big hit. (Picture book. 3-5)Pub Date: Sept. 1, 2015
ISBN: 978-0-8028-5462-9
Page Count: 32
Publisher: Eerdmans
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
Like marshmallow on top of caramel.
Little Bear loves everything about Christmas, but there’s one thing he loves even more.
The Bear household is busily getting ready for Christmas. Mommy Bear wraps and bakes; Daddy Bear brings home a humongous tree; Little Bear exults in it all. With each new Christmas tradition that’s introduced, from opening Christmas cards to receiving carolers, Little Bear sings a song that celebrates it. “I love ornaments, and garland, and lights on a string, / candy canes, stockings—and all of the things / that make Christmas perfect—oh, yes, I do! / But the thing that I love more than Christmas is—” But before Little Bear can complete his rhyme, each time he is interrupted by a new element of Christmas to celebrate. Since that terminal rhyme is always set up with one that ends with an “oo” sound, readers will not be surprised in the least when Mommy and Daddy interrupt him one last time with an emphatic “YOU!” It’s all so uber-idealized readers may find themselves gagging on the syrup—it even seems to get at Hattie: Daddy Bear’s smug “What an exceedingly talented family we are” has a whiff of irony to it. Warnes’ cartoon bears inhabit a cozy, middle-class home; while the carolers are clothed, the Bear family is not, but readers may notice a white marking on Mommy Bear’s chest where a string of pearls might rest.
Like marshmallow on top of caramel. (Picture book. 3-5)Pub Date: Sept. 15, 2020
ISBN: 978-1-68010-208-6
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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