A lively, sometimes rueful, always illuminating look at the business of journalism by a knowing practitioner.
The noted journalist recounts his reckonings with sexuality, love, racism, and many other charged topics.
Early on in his memoir, Capehart, best known as a commentator for MSNBC and as an editorial writer for the Washington Post, writes of being known among his Southern cousins as “Mr. Peabody,” the bookishly bespectacled cartoon dog. “And I was a little ‘funny,’” he adds. “That was the gentler f-bomb used for someone believed to be gay back then.” Raised in New Jersey, Capehart writes of being one of the few, if not the only, Black students in his classes, which, accompanied by annual holidays in North Carolina, gave him a precisely contoured understanding of race and racism: “Blackness is always at the mercy of someone else’s judgment. You can be too Black, not Black enough, or not Black at all….Some Black people are eager to take away my Black card. Some white people would rather I not mention my race at all.” A pointed lesson came from his mother, who prophesied that his friendships with white children would turn unequal as the years went by. Sadly, this came to pass, and, despite an elite education and plum jobs in journalism, he would learn that “education and money offer no real protection from racism.” Another pointed lesson came decades later, when Capehart resigned from the Washington Post editorial board after he realized that he would never quite be received as the “interlocutor between Blacks and whites” that he hoped to be: “And once again, it felt like the whiter world let me know where it believed my place to be.” Fortunately, Capehart has refused to accept silence, so that his voice, calmly defiant, is still heard outside the confines of this welcome book.
A lively, sometimes rueful, always illuminating look at the business of journalism by a knowing practitioner.Pub Date: May 20, 2025
ISBN: 9781538767061
Page Count: 272
Publisher: Grand Central Publishing
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
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