A vivid, masterfully produced art history keepsake.
The print companion to a Chicago queer history art exhibition curated by Katz and Willis.
Born out of the editors’ desire to “redress a long history of disinterest, ignorance, and/or active censorship around questions of gender and sexuality in art history and museum culture,” this lavish book by queer art historians Katz and Willis accompanies an exhibition at Wrightwood 659 in Chicago. It’s a project composed of a wide array of educative, informative, and opinionated essays alongside visually striking artwork illuminating the origin of queer identity evolving in the late 19th and early 20th centuries. The representation of queer culture by a variety of talented artists and writers is on exquisite display; the book captures a period immersed in the struggle for greater queer visibility through the art of its era. Among the book’s more than 300 images—including paintings, drawings, sculptures, and photographs—are works by Berenice Abbott, Jean Cocteau, Thomas Eakins, and John Singer Sargent. A series of intellectually astute essays examines the origins of the word “homosexuality,” lesbian visibility in the arts, and the emergence of gender nonconformity in both the East and the West in the second half of the 19th century. The essays, many by culture experts, additionally analyze how the earliest artistic articulations of gender, sexuality, transgender identity, and same-sex desire and relationships would bloom into an emerging queer revolution of visibility, representation, and change. Organized geographically, provocative (frequently explicit) drawings, oil paintings, sculptures, and accompanying text vibrantly tell the story of a forgotten age in emerging queer history and how art became an escape and a method of survival for burgeoning homosexual populations across the globe.
A vivid, masterfully produced art history keepsake.Pub Date: July 16, 2025
ISBN: 9781580936934
Page Count: 368
Publisher: The Monacelli Press
Review Posted Online: June 25, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
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