A bighearted, widescreen American tale.
A train accident reveals the connections among a host of people across race, class, history, and the country in this ambitious epic.
Evison’s seventh novel opens by giving away the climax: Walter, a train operator working his final run for Amtrak, is at the center of a wreck on the way to Seattle. But despite making the worlds-in-collision setup clear early, Evison has still crafted a suspenseful novel, as he shuttles between the train’s riders in 2019 and their forebears in the 1850s. Walter is a descendent of Nora and Finn, Irish twins orphaned in Chicago. Malik, a rising high school basketball star, is a descendent of George, an escaped slave. Jenny, a hard-charging corporate fixer (she supervised Amtrak buyouts that, it’s implied, led to the crash), descends from Wu Chen, a Chinese immigrant who parlayed a small stash of gold into a thriving business. And Laila, escaping her abusive husband, is descended from Luyu, a Miwok woman who’s absorbed White people's condescension or brutality. Bouncing among the characters in brief chapters, Evison gives the story a sprightly, page-turner feel despite the sizable cast he’s assembled. And the story thrives because his eye for the particulars of each character’s life is so sharp: Finn’s work on farms and railroads, Laila’s anxiety over escaping her husband, Malik’s mother’s desperate efforts to make ends meet for her son’s sake. So when their lives do wind up intersecting on the train, Evison’s novel feels less like we’re-all-connected sentimentality than a compassionate vision of a pluralistic country that ought to dignify everybody. Though politics aren’t explicit in the novel, it’s plainly a response to an era that’s created dividing lines across the country. Without being simplistic or wearing rose-colored glasses, Evison suggests a fresh way of recognizing our relationships without melting-pot clichés.
A bighearted, widescreen American tale.Pub Date: Jan. 11, 2022
ISBN: 978-0-593-18412-7
Page Count: 480
Publisher: Dutton
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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